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Fathom Events and Sunrise announced they will be bringing Gundam: Char’s Counterattack to U. S. theaters to celebrate the 40th Anniversary of Mobile Suit Gundam. Gundam: Char’s Counterattack was the first theatrical release in the Mobile Suit Gundam franchise back in 1988. The film is set in the Universal Century timelines and marked the culmination of the original saga that began with Mobile Suit Gundam and continued with Mobil Suit Zeta Gundam and Mobile Suit Gundam ZZ. Related: Mobile Suit Gundam vs. Hello Kitty Crossover Announced Here’s the official synopsis of the film: Amuro and Char, two best mobile suit pilots who fought together against Titans after the Zeon’s independency war, must face each other in a fateful duel where the Char-led Neo-Zeon, attempt to drop a gigantic meteor and nuclear weapons on Earth in order to cause Nuclear Winter to wipe out its inhabitants. Related: Report: Brian K. Vaughan to Write Live-Action Gundam Movie! Fathom Events and Sunrise will screen the film in select theaters on December 5 at 7:00 p. m. This new screening has been re-masted from the original anime film. The film will be screened with English-language subtitles. Along with the screening of the remastered film, an exclusive interview with Gundam anime creator Yoshiyuki Tomino as well as new footage from Anime NYC 2019 will air during the film. The run time of the film is 2 hours and 15 minutes. Tickets can be purchased on the Fathom Events website here. Do you plan on seeing Gundam: Char’s Counterattack in theaters? (Visited 1, 091 times, 1 visits today).

Just by painting this Toyota red it's mobility and power go up 3x. While there have been a number of different "celebrations" to kick off the fortieth anniversary of Mobile Suit: Gundam, this upcoming one night event from Fathom Events is taking us back into the past of the franchise with one of the most recognizable characters of the anime. Mobile Suit Gundam: Char's Counterattack will be re-releasing into theaters for one night only on December 5th, 2019 thanks to Fathom, having us re-enter the world Amuro and Char. While this may not be a "Gundam Satellite" or a brand new anime, we know plenty of fans of the mech suit franchise will jump at the chance to see this movie return into theaters. Twitter User WTK shared the notification that Fathom Events would be bringing back the 1988 film back into North American theaters, re-telling the original story of Earth Federation and the Principality of Zeon as they fight for supremacy using giant mech suits: 'Gundam 40th Anniversary Celebration: Char's Counterattack' officially announced by Fathom Events. December 5 (subtitled). Tickets on sale now at select theaters. — WTK (@WTK) October 18, 2019 The official description for Mobile Suit Gundam: Char's Counterattack reads as such: "Amuro and Char, two best mobile suit pilots who fought together against Titans after the Zeon's independency war, must face each other in a fateful duel where the Neo-Zeon, led by Char, attempts to drop a gigantic meteor and its nuclear weapons to Earth in order to cause Nuclear Winter to wipe out the Earth inhabitants. " Fathom Events has had a long history with bringing back classic, and new, anime properties to the silver screen, with some of their upcoming releases featuring such films as Spirited Away, Princess Mononoke, Promare, and Weathering With You to name a few. 0 comments Will you be catching Mobile Suit: Char's Counterattack when it returns to theaters this winter? What was your favorite movie in the Gundam franchise? Feel free to let us know in the comments or hit me up directly on Twitter @EVComedy to talk all things comics, anime, and Gundam! Mobile Suit Gundam is one of the most popular franchises in the world, and that popularity is only expected to grow as Sunrise continues to release new projects for the franchise. This includes new anime based in the original Universal Century storyline, which will next see a film trilogy based on the Hathaway's Flash novels, a returning anime for its SD Gundam spin-offs, and even a brand new live-action movie coming to the West co-produced by Legendary, a studio who is currently in the midst of bringing a new take on Toho's Godzilla franchise to the screen. Did you know has a Pokemon podcast? That's right folks, A Wild Podcast Has Appeared is available every Thursday bringing you the best breakdowns of the week's biggest news from Jim Viscardi, Megan Peters & Christian Hoffer. Catch the newest episode right here or subscribe on iTunes today! Disclosure: ComicBook is owned by CBS Interactive, a division of ViacomCBS.

Can't wait ooooooo - Together with you, Gundam Never ends. 機動戦士ダインスレイヴじゃん.じゃあAGE見てくるわ. やっぱり無印が一番いいなぁ 最後鳥肌物だった…. 冒頭24分の映像だけでも興奮物ですわ. 中井和哉さんの演技もいい感じやし. 映画観に行きたいです. Yall gonna make me cry cuz I cant go. Rude. Source: Fathom Events press release Official Site: (US) The re-mastered 1988 Mecha animated film MOBILE SUIT GUNDAM CHAR’S COUNTERATTACK (機動戦士ガンダム 逆襲のシャア, Kidō Senshi Gandamu Gyakushū no Shā) is coming to the U. S. for a special one-night event, “Gundam 40th Anniversary Celebration: CHAR’S COUNTERATTACK, ” from Fathom Events and Sunrise Inc. Set in the Universal Century timeline of the celebrated franchise, MOBILE SUIT GUNDAM CHAR’S COUNTERATTACK was the first original Mobile Suit Gundam theatrical release and marks the culmination of the original saga started in MOBILE SUIT GUNDAM (機動戦士ガンダム, Kidō Senshi Gandamu, 1979-80) and continued in MOBILE SUIT ZETA GUNDAM (機動戦士Ζガンダム, Kidō Senshi Zēta Gandamu, 1985-86) and MOBILE SUIT GUNDAM ZZ (機動戦士ガンダムΖΖ, Kidō Senshi Gandamu Daburu Zēta, 1986-87). As an exciting bonus, fans will also view an exclusive interview with the creator of the Gundam anime franchise Yoshiyuki Tomino, as well as newly captured content from ANIME NYC 2019. WHEN: Thursday, December 5 at 7:00 p. m. local time (English-language subtitled) Tickets for “Gundam 40th Anniversary Celebration: CHAR’S COUNTERATTACK” can be purchased online by visiting and at participating theater box offices. Moviegoers throughout the U. will be able to enjoy this event in approximately 400 select movie theaters. A complete list of theater locations will be available on the Fathom Events website (theaters and participants are subject to change). STORY Amuro and Char, the two best mobile suit pilots who fought together against Titans after the Jion’s independency war, must face each other in a fateful duel. The Char-led Neo-Jion attempts to drop a gigantic meteor and nuclear weapons on Earth in order to cause Nuclear Winter and wipe out its inhabitants. About Fathom Events Fathom Events is recognized as the leading domestic distributor of event cinema with participating affiliate theaters in all 100 of the top Designated Market Areas, and ranks as one of the largest overall distributors of content to movie theaters. Owned by AMC Entertainment Inc. (NYSE: AMC), Cinemark Holdings, Inc. (NYSE: CNK) and Regal Entertainment Group (NYSE: RGC) (known collectively as AC JV, LLC), Fathom Events offers a variety of one-of-a-kind entertainment events such as live, high-definition performances of the Metropolitan Opera, dance and theatre productions like the Bolshoi Ballet and National Theatre Live, sporting events like Copa America Centenario, concerts with artists like Michael Bublé, Rush and Mötley Crüe, the yearlong TCM Big Screen Classics film series and inspirational events such as To Joey With Love. Fathom Events takes audiences behind the scenes and offers unique extras including audience Q&As, backstage footage and interviews with cast and crew, creating the ultimate VIP experience. Fathom Events’ live digital broadcast network (“DBN”) is the largest cinema broadcast network in North America, bringing live and pre-recorded events to 896 locations and 1, 383 screens in 181 DMAs. For more information, visit. About Sunrise Sunrise Inc. (Tokyo, Japan. Yasuo Miyakawa, President &CEO), subsidiary of Bandai Namco Holdings Inc. (Tokyo, Japan Mitsuali Taguchi, President & Representative Director), is a film production studio that specializes in animation. It has created many hit series including Mobile Suit Gundam, Code Geass, Love Live! and Cow boy Bebop. As part of the new midterm strategy of the Bandai Namco Group, Sunrise was named as leader of the IP Creation Unit. Sunrise is planning to create various new intellectual properties-not only in the form of animation but in various other mediums as well. For more info visit.

Actually a good dub, not the best but good. Gundam. ❤. Char and Zeon > Amuro and Feddie Scum In all seriousness great vid, man. NO TALLGEESE. But. how much of the clothing is Strict G. I didnt love Char's Counter Attack when I first saw it, so hopefully seeing it again in a theater will make it more enjoyable. If not hopefully I can meet some gundam fans. And if not even then I'll just play with my Sazabi while the movie happens. 最後∀ガンダム出てきて「え?」ってなったけど月光蝶だったw. Gundam is making so much progress in its line, from redesign to a freaking walking 1/1 scale in October. Starwars in the other hand. So the one who becomes a cat girl also voiced Atra Mixta and also Morgana from P5 hmm. Everytime i click on a watch mojo video, i feel dirty. Gundam ❤️. ジークジオン✋👸. The boy who was a newbie and the man who once was a legend himself.

The 40th anniversary of the Mobile Suit Gundam franchise is roaring on in style. Not only is Yoshiyuki Tomino coming to Anime NYC 2019, but one of the fan-favorite features—1988's Mobile Suit Gundam: Char's Counterattack —is coming to U. S. theaters for a one-night screening event. Tickets are now on sale for the screenings, which will be held at select theaters on Thursday, December 5 at 7:00pm local time. Those who attend will also get to check out an exclusive interview with Tomino, and you can see a trailer for Gundam 40th Anniversary Celebration: Char’s Counterattack below. Synopsis: Amuro and Char, two best mobile suit pilots who fought together against Titans after the Jion's independency war, must face each other in a fateful duel where the Char-led Neo-Jion, attempt to drop a gigantic meteor and nuclear weapons on Earth in order to cause Nuclear Winter to wipe out its inhabitants. ------- Joseph Luster is the Games and Web editor at Otaku USA Magazine. You can read his webcomic, BIG DUMB FIGHTING IDIOTS at subhumanzoids. Follow him on Twitter @Moldilox.

They missed the opportunity for the pun Learn it the HAthaWay. ニュータイプの軌跡. The redness of the Zaku arouses me ( ͡ ͜ʖ ͡. So. we'll get a remake. Release Date: December 5th, 2019 PG-13 | 2 hr 15 min Plot Summary U. C. 0093. 13 years have passed since the events of the original Mobile Suit Gundam series. But the foundations of peace are once again threatened by a new Neo Zeon army, led by the infamous Char Aznable! Their ultimate goal is to plunge Earth into a nuclear winter, forcing humanity to emigrate completely into space. Armed with the state-of-the-art Nu Gundam, Amuro Ray and his Federation comrades are all that stand against Neo Zeon. Torn between vengeance, duty, and love - the final battle is at hand! Director: Yoshiyuki Tomino Genres: Documentary Production Co: Sunrise Distributors: Fathom Events.

I love all of your work. My favorites are the AMVs you made for Heero Yuy and that compilation Gundam AMV (I can't read Japanese. sorry.

 

 

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year - 2020
Writed by - Geoffrey Rogers
1 hour, 55 minutes
Geoffrey Rogers
Actors - Brook Susan Parker
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“If one persons life is changed by what I go through, it would all be worth it” I feel this on a personal level. Im a 21, almost 22, year old stroke survivor. Ive since been seeing several doctors and underwent rehab. I sometimes think, why me? After talking to PLENTY of people though, Im reminded is that people can have hope after seeing me make nearly a full recovery. I pray my story also helps point people back to God. Photos Add Image Add an image Do you have any images for this title? Learn more More Like This Fantasy 1 2 3 4 5 6 7 8 9 10 6. 1 / 10 X A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret - not suspecting that it will push one of them to commit the irreparable. Director: Bertrand Bonello Stars: Louise Labeque, Wislanda Louimat, Katiana Milfort Drama | Sport 7. 4 / 10 Panga is inspired from the life of a national level Kabbadi player from India. It follows her triumphs, struggle and overcoming of stereotypes. It shows how important the love and support of your family is for you to be successful. Ashwiny Iyer Tiwari Kangana Ranaut, Jassie Gill, Richa Chadha Thriller 7. 2 / 10 Details the year leading to the assassination of Israel's Prime Minister, Yitzhak Rabin (1922-1995), from the point of view of the assassin. Yaron Zilberman Yehuda Nahari Halevi, Amitay Yaish Ben Ousilio, Anat Ravnitzki War 6. 5 / 10 Thirty-four years after his death, Airman William H. Pitsenbarger, Jr. ("Pits") is awarded the nation's highest military honor, for his actions on the battlefield. Todd Robinson Christopher Plummer, Samuel L. Jackson, Sebastian Stan Horror Mystery A homeschooled teenager begins to suspect her mother is keeping a dark secret from her. Aneesh Chaganty Sarah Paulson, Kiera Allen, Onalee Ames 3. 7 / 10 A young governess is hired by a man who has become responsible for his young nephew and niece after their parents' deaths. A modern take on Henry James' novella "The Turn of the Screw. " Floria Sigismondi Mackenzie Davis, Finn Wolfhard, Brooklynn Prince Biography Crime 7. 1 / 10 The real life of Tommaso Buscetta, the so-called "boss of the two worlds, " the first mafia informant in Sicily in the 1980s. Marco Bellocchio Pierfrancesco Favino, Luigi Lo Cascio, Fausto Russo Alesi A searing look at a day in the life of an assistant to a powerful executive. As Jane follows her daily routine, she grows increasingly aware of the insidious abuse that threatens every aspect of her position. Kitty Green Julia Garner, Matthew Macfadyen, Makenzie Leigh Comedy 5. 7 / 10 This bizarre retro comedy, shot entirely on VHS and Beta, follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows over his parents' wedding tape. Jack Henry Robbins Kerri Kenney, Thomas Lennon, Mark Proksch Sci-Fi An insurance lawyer goes out on the town to celebrate an upcoming promotion with his co-worker, Jeff. But their night takes a turns bizarre when Frank ingests a hallucinogen that completely alters his perception of the world. Gille Klabin Tommy Flanagan, Justin Long, Katia Winter Action 5. 3 / 10 A woman seeks revenge against those who orchestrated a plane crash that killed her family. Reed Morano Blake Lively, Jude Law, Sterling K. Brown 7. 7 / 10 After a failed attempt to reconnect on a European vacation, a Los Angeles couple, Talita and Dan, find themselves out-of-sorts at a busy airport. Their palpable strain is only made worse when a random Danish vagabond, asks for a ride. Elena Beuca Elena Beuca, Dave Rogers, Ditlev Darmakaya Edit Storyline A Christian documentary diving into the sex trafficking industry in the US exposing the darkness that fuels demand, highlighting survivors' transformations through Christ, and showing Christ as the hope for all involved. Plot Summary Add Synopsis Details Release Date: 23 January 2020 (USA) See more » Also Known As: Blind Eyes Opened Box Office Cumulative Worldwide Gross: $234, 505 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

John Malkovich is a legend. I was distracted by the lanterns. Those will definitely end up floating in the seas. Free blind eyes opened synonym. I feel like norman reedus is delivering packages somewhere in this trailer. My miracle is for today. I receive. Meme of the year: Birdbox : Can't See Quite place : Can't Talk Hush : Can't Hear Hotel : Trivago. Free blind eyes opened pictures. Free Blind Eyes opened. Free blind eyes opened movie. Free Blind Eyes openedition. Free blind eyes opened without.

I was wearing blinders to stave off the reminders Of your image Never contemplating the incinerating Of my image The rites of spring had no meaning In my brain And I could cling icicle-ing Just the same And all the time you saw me You could not thaw me Chorus And now you've made blind eyes open Sunlight streams in Everything's clear as crystal Enlightenment Like a frozen snowfield I could never reveal My true colors I would never listen to all that I was missing With the others You stepped into my field of view And triggerd My cupid snare who would have dared To figure That all the time you saw me I curse my warped perspective Just when I least expected The tables turned, the candles burn At both ends, and my nerve ends send Sensational headlines to my brain Lyrics taken from /lyrics/p/posies/.

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Free blind eyes opened lyrics. Free blind eyes opened back. That moment when then bad guys discover they were shooting each other not the innocent native guys. I wish all of the haters had autism or had an autistic child so they could know the struggle of autistic kids and the injustice that can be brought upon them. The haters are just jealous that they don't have the guts to get their pretty little butts up on that stage themselves, and quite frankly, I think the haters were raised in a TERRIBLE environment. I want all the haters to comment on this, and tell me why. Why do you want to hate on this little boy.

Christophers eyes don't allow him to see visually and his autism is described as a serious developmental disorder that impairs the ability to communicate and interact. I saw a TEN-year-old boy Interact with a large audience on stage like a professional performer, communicate lyrics with such conviction he obviously can see something most of us can't, blind only to his disabilities. I wish I were more like Christopher. Free blind eyes opened images. Who's here while the world is having WUHAN CHINA CORONA DEADLY VIRUS chaos 2020. Free Blind Eyes. This is the one movie where Archie fans can imagine being with Betty since the actress playing Apa's lover has a betty cooper vibe.

I just gets frustrated when i scroll through the comments section to find out a legit suggestion about the movie, and all i find is everyone is just being a clown in their own sO called amusing ways. . Excellent documentary! Everyone should watch this especially those who have contact with kids on a d... aily basis like teachers, coaches etc. This is a great educational tool about SexTrafficing that digs deep into this on going problem and gives people a real life view of what goes on. Thank you! Wendy Mitchell Volunteer Coordinator Cry For The Broken Miniseries See More Yes very informative and well done! Unfortunately the theater we saw it in was very ill prepared to... show it. Started 30 min late and started playing music during the interviews at the end and we were unable to hear them. See More Very well done documentary on the topic. Found it very informative and eye opening. I really appreci... ate the panel of woman provide their honest and open experiences. The topic of boys being trafficked was covered too, however, would have been interesting to hear from a male victim just to give them a voice at the table too. Again, very well done. See More.

An influential presentation. A sentence about Crony pseudo-capitalism may have rounded it out just a bit toward a full pic of reality. This made me cry the first time I seen it. makes me think of my 5yr old little blind autistic brother. You know it got your attention, cus Samuel Jacksons face is on thumbnail. Absolute masterpiece, i hope they give him an award, and also the director. the movie felt so real and emotional. reminds me of boyhood. I'd ask them: How do you know if your clothes are inside out. Free blind eyes opened scripture. Free blind eyes opened video. Me: sees my crush looking at my eyes~ oh geez my crush looking at me on purposely 3:11.

It's like looking into the eyes of God. Is this the one where he gets MeTood? Or the one where we have a “strong female character” who will have literally zero flaws or character arc and be inexplicably perfect at everything (Im looking at you Rey) Just so long as we dont find out his pronouns are Double-o, Deeble-o and Doubley-o, we might just be ok. Her voice in this. I love this and her so much. ❤. Killing Jesus before the resurrection. Say that again, slowly, and you might spot the flaw in your villains' master plan. “Do blind people close their eyes to go to sleep? ” The only blind person I ever knew was my brother, so I can’t speak for all blind people. But yes, he closed his eyes when he went to sleep. It wasn’t to keep the light out of his eyes or to prevent any distraction as many people might think. It was because even though his eyes were totally non-functional, they still had the same physiology as anybody else’s eyes. The only difference was that his retinas had been destroyed so he couldn’t see. That meant that his eyes were still sensitive to touch and to dryness and so just like anybody else, if h... Loading….

It's a butterfly effect on my heart. Anybody here after: Hospin - You should of knew i was coming. I am so early I haven't seen the fury and bukky comments yet 😂😂, MCU. OK, so who is NOT here because of cornavirus lol. Best in the worl films ❤️ BİRD BOX❤️. Free blind eyes opened youtube.

 

I love this song and always voice is literally amazing and I luv her so much. This is nothing short of a miricale. God's work at it's best.

 

 

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Creator: Michael Cartwright
Bio: Husband. Future dachshund owner. West Medford.

Abstract=In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care / country=Mexico / Release Year=2019 / audience Score=394 votes / Genre=Crime / Luke Lorentzen.

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Midnight family watch full length hair. I thought the shed was his spaceship... 24 wins & 23 nominations. See more awards » Videos Learn more More Like This Documentary | War 1 2 3 4 5 6 7 8 9 10 7. 5 / 10 X When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run. Director: Hassan Fazili Stars: Hassan Fazili, Nargis Fazili, Zahra Fazili 7. 2 / 10 A look at the life and work of Jewish-Israeli lawyer Lea Tsemel who has represented political prisoners for nearly 50 years. Directors: Philippe Bellaiche, Rachel Leah Jones Hanan Ashrawi, Tareq Barghout, Avigdor Feldman History After becoming a mother, a filmmaker uncovers the untold history of China's one-child policy and the generations of parents and children forever shaped by this social experiment. Nanfu Wang, Jialing Zhang Zaodi Wang, Zhimei Wang 8. 5 / 10 FOR SAMA is both an intimate and epic journey into the female experience of war. Waad Al-Kateab, Edward Watts Hamza Al-Khateab, Sama Al-Khateab Drama 8 / 10 The last female bee-hunter in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood. Tamara Kotevska, Ljubomir Stefanov Hatidze Muratova, Nazife Muratova, Hussein Sam 7 / 10 A group of young Ghanaians turn to internet fraud to help them with a desperate situation. Ben Asamoah Ama, One Dollar Crime Thriller 7. 8 / 10 A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the different groups mark the rhythm. Ladj Ly Damien Bonnard, Alexis Manenti, Djebril Zonga 6. 6 / 10 As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill. Chinonye Chukwu Aldis Hodge, Alfre Woodard, Richard Schiff 7. 4 / 10 As her childhood turns into motherhood, teenage troublemaker Gemma comes of age in her fading Scottish steel town. But in a place where "you either get knocked up or locked up, " innocent games can easily turn into serious crime. Ellen Fiske, Ellinor Hallin Biography 7. 9 / 10 Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre. Agnès Varda, Sandrine Bonnaire, Hervé Chandès Romance The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II. Terrence Malick August Diehl, Valerie Pachner, Maria Simon An epic investigation into countless murders in Mexico. Presented in chapters, the film unfolds methodically through unsettling testimonials, sketching a portrait of an entire country... See full summary » Edit Storyline In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Plot Summary Add Synopsis Details Release Date: 6 March 2020 (Mexico) See more » Also Known As: Midnight Family Box Office Opening Weekend USA: $3, 030, 8 December 2019 Cumulative Worldwide Gross: $51, 712 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

Midnight Family Directed by Luke Lorentzen Produced by Kellen Quinn Written by Luke Lorentzen Starring Fer Ochoa Josue Ochoa Juan Ochoa Release date 26 January 2019 (Sundance Film) Midnight Family is a 2019 crime documentary film, directed and written by Luke Lorentzen. The film is produced by Kellen Quinn under the banner of Hedgehog Films, and No Ficción. The film stars Fer Ochoa, Josue Ochoa, and Juan Ochoa. The film focuses on Ochoa family who run a private ambulance business. Plot [ edit] This section is empty. You can help by adding to it. ( January 2020) Cast [ edit] Fer Ochoa as Himself Josue Ochoa as Himself Juan Ochoa as Himself Release [ edit] Critical response [ edit] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 100% based on 52 reviews, with an average rating of 8. 06/10. The website's critical consensus reads, "As narratively urgent as it is technically well-crafted, Midnight Family offers an enthralling and disquieting glimpse of healthcare in modern Mexico". [1] Metacritic, which uses a weighted average, assigned the film a score of 82 out of 100, based on 11 critics, indicating "Universal acclaim". [2] Carlos Aguilar writing for the Los Angeles Times wrote, "Life-or-death incidents unfold before our eyes with intense urgency, yet the filmmaker finds breathing room to intimately profile a group of terribly underpaid heroes". [3] Monica Castillo of TheWrap wrote, " Midnight Family does not shy away from showing the pressures they face from all sides and the constant exhaustion in their line of work, but we also come to understand their sense of loyalty to their patients". [4] Nick Schager writing for Variety wrote, " Midnight Family illustrates that compensation is rarely in the cards here, as haggling leads to either polite apologies from those unable to pay, or harsher rejections from those simply unwilling to reimburse the paramedics for their trouble". [5] References [ edit] External links [ edit] Midnight Family on IMDb.

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This movie killed my dream of becoming a wickie. Spoiler alert: The movie is trash. Héloise looks like a mix of Saiorse Ronan and Billie Eilish. One of the things no one has talked about is how this and other divorces spiral in such acrimony that you have to pay lawyers 900/hr to get you what you want; be it a house, bank account or child. If you can't sit down with the person you married and find compromise, then you made the wrong choice in the person you married or the person you married made the wrong choice when they said yes to you. It speaks to how cavalier people are towards the contract signed when you enter a marriage. It's for life, better or worse - that's the solemn oath one takes. You better be DAMN sure this is the right person for you or you're setting yourself up for this kind of misery and expense.



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I don't care what the the money hungry cretins at the oscars say, or the self-proclaimed expert critics. Uncut Gems was an amazing movie, and probably one of Sandler's best roles in years. Not only that, he wasn't even playing a comedy. This man deserves recognition. Not only is he a very talented actor, he's actually a really nice individual off the camera, unlike a lot of snobby Hollywood today. Highly recommend this film.

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That tension encapsulates the push-pull of this documentary, a haunting portrait of a family of emergency medical worker s in Mexico City. Because as you tag along on another wild nighttime ride, and yet one more life-or-death race, the family’s careening ambulance seems like an emblem both of their reality and of your own whiplashing position as a viewer. The family at its center, the Ochoas, own and operate one of the many private ambulances that serve Mexico City. The director Luke Lorentzen takes you right inside the ambulance, squeezing you in alongside the Ochoas and several others as they tend to traumatized victims and an occasional member of a patient’s family. It’s no surprise that it can be a deeply distressing fit. Nearly as alarming, though, are those instances when the Ochoas race a rival ambulance to the next accident and the documentary enters that unsettling zone where the pleasures of the chase (and good filmmaking) slam into your ethical sensibility, which is to Lorentzen’s point. Your stomach may start jumping (your thoughts too) e ven before the movie and ambulance take off. After opening with some sober scene-setting — a man washing blood off a bright yellow stretcher — Lorentzen drops in some of the documentary’s few informational details. “In Mexico City, ” reads text on a dark screen, “the government operates fewer than 45 emergency ambulances for a population of nine million. ” Much of the city’s emergency health care, the note continues, is handled by “a loose system of private ambulances. ” The Ochoas belong to this informal network, tending to hundreds of patients each year from inside their red-and-white ambulance. Serving as his own cinematographer, Lorentzen spends a lot of time in the back of that van, a space that you settle into as workers and patients enter and exit. He regularly points the camera at the windshield, giving you front-row access to the chaos; every so often, he trains it on the rear-door windows, as if looking for an escape. Another camera, mounted on the top of the dashboard, enables you to see inside the van, where Fer, the Ochoa paterfamilias, is generally found riding shotgun beside one son, Juan, a 17-year-old with a meticulous fade haircut and the wheel skills of a NASCAR racer. When the sirens blare and lights flash, Fer and Juan can make a formidable, at times grimly diverting, tag team. “Get out of my way, bicycle! ” Fer yells over the ambulance loudspeaker in an early scene, as the intensely focused Juan drives and another of Fer’s sons — the babyish-looking Josué, who’s around 10 — tries to steady himself in the rear. As Lorentzen cuts from the van’s occupants to the darkly jeweled street and back again, everyone and everything passing by is told where to go. “Keep moving, bus! ” Fer yells, before slipping into street-philosopher mode. “This is why people die! ” he says, over a lingering shot of Josué. “Because people like you don’t move! ” The juxtaposition of Josué’s face and Fer’s words are representative of Lorentzen’s method. Embracing a familiar observational approach, he doesn’t talk you through “Midnight Family” but instead lets his filmmaking choices convey his thoughts on the Ochoas and the mercenary world they inhabit. (He edited the documentary and is one of its producers. ) Lorentzen never explains how he found the family, who not only granted him seemingly free access to their ambulance, but also brought him into their home. He’s more expansive in the production notes where he says that he introduced himself after he saw Juan cleaning the van while Josué was playing with a soccer ball. “Midnight Family” can be tough to watch, but it never feels unprincipled or indulgently exploitative. Some of the most traumatic incidents have, of course, occurred before the ambulance roars up, but not all. Even when the worst happens, Lorentzen doesn’t turn the gore and tears into a spectacle, and it’s instructive that some of the most dreadful moments take place off-camera or are conveyed through the triage patter or in later conversations. He also tends to obscure the faces of the wounded and whether legally or ethically motivated, this discretion is a relief. It’s humanizing for the victims (be warned that these include children) and for the viewer. One of the enduring hurdles in visual storytelling is how to represent the suffering of others without adding to it, a difficulty that Lorentzen has clearly weighed. That’s evident in his point of view, what he shows you and doesn’t, and obvious in his empathetic portrayal of the Ochoas. They’re an appealing, affecting collection of souls, and you too want the best for them, even when you grasp their role in a system plagued by class inequities and inadequate services, kickbacks and shakedowns. Here, if it bleeds, it leads right into everyone’s pocket — the police, emergency workers, hospitals — a truism that makes this documentary feel finally, appallingly, universal. Midnight Family Not rated. In Spanish, with subtitles. Running time: 1 hour 21 minutes.


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This was actually a very good mystery. "Outstanding... Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to what’s happening. When they do, they leave you gasping. " – Manohla Dargis, New York Times Critics’ Pick “Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family—the gruff but compassionate Fer and his two underage sons, Juan and Josué—at intensely close range on these Sisyphean missions of mercy. ” – Museum of Modern Art and Film Society of Lincoln Center Included in the “10 Best Movies of Sundance 2019" "A deft mix of big-picture doc-making and intimate moments... not to mention a wild—and remarkably eye-opening—ride. ” – David Fear, Rolling Stone “This 81-minute masterpiece will change the way you look at documentaries forever; its style reads like an action movie, its themes like a socio-political drama, and, yet, it still is very much a work of non-fiction, with a camera always exactly positioned to capture a society on the brink of moral collapse. – Jordan Ruimy, The Playlist “Profound and thrilling cinema verite filmmaking. The film is impeccably crafted by Luke Lorentzen… What matters most here is Lorentzen’s intuition—he knows during many stunning moments just where to put the camera in such close quarters, letting us observe as harrowing drama and cinematic poetry unfolds… 'Midnight Family' is extremely visceral in the best way. ” – Nick Allen, Roger Included in “21 Must-See Movies” at Sundance "An intimate verite documentary... the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U. S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark. ” – Eric Kohn, Indiewire.

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Two young lovers change the lives of their parents forever when the parents learn from the joyful experience of their kids, and allow themselves to again find their love

genre - Drama
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creators - Klaus Menzel

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/ release Date - 2019 / genre - Drama / audience Score - 23926 vote / Todd Haynes / A corporate defense attorney takes on an environmental lawsuit against a chemical company that exposes a lengthy history of pollution. Ruffalo is quietly one of the best working actors today. Three time Oscar nominee, and is small screen performance in The Normal Heart was probably his best yet. Incredible actor. Anyone remember him starring as a cop on the short lived TV show The Beat, which was part of the John Munch-iverse.

I still see hulk. Mark Ruffalo is brilliant, prefect role for him to deep dive into and really sink his teeth into. He has got one of those traits about him as an actor, easily likeable. so it is no problem getting behind his cause. Im a sucker for any "standing up for the small guy" type of story and this one certainly delivers in that respect. Not Oscar worth probably but not every performance needs to be. just a solid one. Seriously? Who edited this clip? Why would you cut it off right before the title of this bands book? He's doing such incredible work and you cut the book out of the clip.

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Àーク・ウã‚ーターズ Movie stream online. From Participant (Spotlight, Green Book), DARK WATERS tells the shocking and heroic story of an attorney ( Mark Ruffalo) who risks his career and family to uncover a dark secret hidden by one of the world’s largest corporations and to bring justice to a community dangerously exposed for decades to deadly chemicals. Corporate environmental defense attorney Rob Bilott (Academy Award®-nominee Mark Ruffalo) has just made partner at his prestigious Cincinnati law firm in large part due to his work defending Big Chem companies. He finds himself conflicted after he’s contacted by two West Virginia farmers who believe that the local DuPont plant is dumping toxic waste in the area landfill that is destroying their fields and killing their cattle. Hoping to learn the truth about just what is happening, Bilott, with help from his supervising partner in the firm, Tom Terp (Academy Award®-winner Tim Robbins), files a complaint that marks the beginning of an epic 15-year fight—one that will not only test his relationship with his wife, Sarah (Academy Award®-winner Anne Hathaway) but also his reputation, his health and his livelihood.

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For some reason I wasn't fully familiar with this story. I had heard of the DuPont chemical company and that they had carried out some really bad work practises with chemicals harmful to humans and the planet! However I wasn't prepared for how bad and how much they really knew and for how long, stretching back decades into the past with some pretty horrific chemical trial testimony.
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I just want you to be happy again, but you gotta want it too. Definitely watching this. ダーク・ウォーターズ Movie stream. I have seen it twice and I am going to see it again. The story to someone like me was extremely fascinating seeing it unfold before me, probably due to the fact that I really didn't know how it was gonna end. There are several really shocking parts to me that stick out. Firstly the amount of information that the company had and that they knew about the chemical in question. They knew that there were potentially negative effects to human health and due to the lovely fact that they were self-regualting meant that they could almost keep it to themselves and lie. It is surprising and not at the same time, of course a big company like this would do that. can you imagine the fallout from this if it came out in the 80's or 90's? The other shocking part is how long it took to get anything done. I don't know how faithful the film is to the real events but the fact that film more or less ends in 2015, is mind blowing considering it started in the late 90's. Makes wonder how I didn't know more about this.

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There are some big ones in damflask. This movie is absolutely amazing! A classic and a masterpiece! My ONLY complaint is that they are racing at Auto Club and try to pass it off as Daytona. This movie is violent and scary - but not in the ways you expect. There's no blood and gore, just greed run unchecked, with terrible consequences. Overall A- Corporate lawyer Robert Bilott has a bright future ahead of him until an angry farmer stomps into his office and demands help. What's Bilott willing to sacrifice to ensure justice is done? Release date December 6, 2019 Violence B Sexual Content Profanity D Substance Use B- Why is Dark Waters rated PG-13? The MPAA rated Dark Waters PG-13 for thematic content, some disturbing images, and strong language. Run Time: 126 minutes Parent Movie Review Violent movies usually involve fistfights, firearms, or superhero action sequences. Punches fly, shots ring out, and spandex-clad characters fly through the air. There might or might not be blood splatters, broken bodies, and death. But in Dark Waters, the violence is entirely impersonal: it’s perpetrated by suit-and-tie-wearing corporate officers whose pursuit of billion-dollar profits attacks the bodies and destroys the health of thousands of their fellow citizens. Protected by its massive political and economic clout, the DuPont corporation is unlikely to be exposed or called to account for its willful poisoning of an entire community. Until, that is, some cows start dying… Up and coming lawyer Robert Bilott (Mark Ruffalo) is enjoying the fruits of a career spent defending large corporations. Newly elevated to a partnership in a prestigious law firm, Bilott can expect increasingly lucrative cases. Then Wilbur Tennant (Bill Camp) walks into his office and demands help figuring out which chemicals in Dupont’s local dump are killing his cows. Bilott insists that he isn’t the right lawyer for the job until he goes to Tennant’s farm, sees the mounds in his bovine graveyard, and watches Tennant shoot a cow who has a seizure and goes on the attack. Shaken by the magnitude of Tennant’s problem, Bilott begins what he believes will be a simple investigation, not knowing that it will consume the next two decades of his life. Dark Waters is a slow movie. That’s not a bad thing; it’s accurate. The law is often ponderous, sometimes tedious, and always requires patience. Day after day, month after month, Bilott plows through the thousands of DuPont documents turned over in disclosure, until he finally pieces together what DuPont has done, not just to Tennant’s cows, but to uncounted numbers of human beings. He fights against DuPont, he argues with his colleagues to continue to underwrite a massive lawsuit for a client whose payment will only come if they win, and he struggles to be present at home for his wife, Sarah, and their young sons. Anne Hathaway’s portrayal of Sarah Barlage Bilott is particularly effective in highlighting the price paid by the entire Bilott family in the pursuit of justice for DuPont’s innocent victims. Parents looking for films that provide positive messages for their teens can definitely add Dark Waters to their list. Its biggest content issue is profanity, with two sexual expletives and another dozen or so moderate and mild profanities scattered throughout the story. But the negative content is more than balanced by the movie’s depiction of characters with integrity, compassion, courage, resilience, persistence, and unwavering commitment. Real life role models this exceptional are hard to find and worth sharing with our families. And, as an added bonus, the movie also portrays a solid marriage between loving partners who are able to disagree constructively while also treating each other with respect and affection. Dark Waters isn’t a graphically violent film and parents don’t need to worry about gory images that will frighten their teens. Its violence is more insidious – the strong and well-connected refusing to take responsibility for the terrible consequences of their corporate decisions on the bodies of the weak and powerless. This isn’t a movie that frightens audiences. It’s a movie that angers them. All the more reason to let teens watch this show – one of them might become Gen Z’s own Rob Bilott. Directed by Todd Haynes. Starring Mark Ruffalo, Anne Hathaway, and Tim Robbins. Running time: 126 minutes. Theatrical release December 6, 2019. Updated March 16, 2020 About author Kirsten Hawkes Kirsten Hawkes has a BA in Political Science and English and has worked in international development and medical education and marketing. Kirsten enjoys reading, watching movies, and debating politics with her husband and sometimes unwilling children. Watch the trailer for Dark Waters Dark Waters Rating & Content Info Why is Dark Waters rated PG-13? Dark Waters is rated PG-13 by the MPAA for thematic content, some disturbing images, and strong language. Violence: A cow has a seizure, charges at a man and is shot twice. A man is shown organs and black teeth removed post mortem from sick cows. A dog barks and moves in an unnatural manner. A dog is seen with a tumor. A girl is seen with black teeth. A man tells his wife their baby is being poisoned. A house burns down; firefighters suggest the fire was set on purpose to intimidate someone. A man lies on the ground, pointing his shotgun at the sky. There are several scenes with people yelling at each other. A man has sores on his arm. A character learns about experiments conducted on people which cause serious medical harm. A picture of a baby born with facial deformities is seen on a couple of occasions. Pictures of dissected lab animals are briefly seen. A man has a seizure and collapses on the floor. Sexual Content: A married couple hug and kiss on several occasions, including a fully clothed embrace in bed. Teens remove clothing to go skinny dipping at night: we see a blurry image of a man’s bare buttocks underwater. Boys say “hooker” and “prostitute”, with no detail. Profanity: There are over one dozen profanities in this movie, including two sexual expletives, scatological curses, anatomical terms, and terms of deity. Alcohol / Drug Use: There is minor social drinking. A man in the background is seen smoking a cigarette. Page last updated March 16, 2020 Dark Waters Parents' Guide Dark Waters is based on the true story of Rob Bilott and his class action lawsuit against chemical giant DuPont. For more information about the real events, check out these articles. The New York Times: The Lawyer Who Became DuPont’s Worst Nightmare Time: Dark Waters Tells the True Story of the Lawyer Who Took Dupont to Court and Won “Dark Waters” and the True Story of How DuPont is Poisoning All of Us Robert Bilott makes a considerable financial sacrifice, not to mention his peace of mind. What drives him to go after DuPont, even though it seems to be a hopeless case? Have you ever done something difficult because of your moral values? Do you live in a community with legislation that protects your environment? Is the legislation enforced? What can you do to improve the health and safety of your community? Loved this movie? Try these books… Why are some people willing to take enormous personal risks to do what they believe is right? In Beautiful Souls, Eyal Press explores what drives them. Robert Bilott wrote his own account of the legal battle with DuPont in Exposure: Poisoned Water, Corporate Greed, and One Lawyer’s Twenty-Year Battle against DuPont. Concerned about chemical pollution of the environment? You might want to read The Polluters: The Making of Our Chemically Altered Environment. Written by Benjamin Ross and Steven Amter, this book examines the introduction of several toxic chemicals, the warnings given by scientists, and the political calculus that allowed their continued use. Class action lawsuits have often been controversial. Coming from an unexpected perspective, Brian T Fitzpatrick has written The Conservative Case for Class Actions, arguing that these suits hold businesses accountable. Home Video The most recent home video release of Dark Waters movie is March 3, 2020. Here are some details… Related home video titles: Stories of people who sacrifice to follow their consciences abound in film. Matt Damon stars as a corporate whistleblower in The Informant. Official Secrets tells the story of a translator for British counterintelligence who receives an email that alerts her to the lies the government is telling the people in the rush to war in Iraq. An FBI agent is involved in unmasking a foreign mole in the agency in Breach. In The Interpreter, a woman shares information she overheard concerning an assassination, only to be treated as a suspect. A young police officer can’t turn her back on murder and corruption in Black and Blue. In Erin Brockovich, a young woman assists her attorney employer in a class action lawsuit against a utility company whose waste has sickened a community.

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Modern Panipat is a district in the northern state of Haryana, about 85km (53 miles) from capital New Delhi. Abdali, a hero to many Afghans, was the founder of the Durrani Empire and leader of the Pashtun tribe who defeated the Maratha army. To most Indians, he is a fierce invader who killed thousands of Maratha soldiers. Panipat is the latest Bollywood film to attract criticism for its misrepresentation of historical characters, especially Muslim rulers from the medieval period. Another Bollywood film Padmaavat (2018) portrayed Alauddin Khilji, a Muslim king of Afghan origin who ruled Delhi in the 12th century, as a "savage" who "gnaws meat off the bone" - following the most prevalent stereotypes about Muslims, according to critics. "Abdali fits the Alauddin Khilji mould of 'otherness' - tall, imposing, and dismissive of Hindu martial prowess. The two manifest the stock Muslim 'invader' tropes that dominate the 21st-century Hindu psyche, " wrote film critic and columnist Kaveree Bamzai on The Print website. "As one of the Panipat posters on Abdali says: 'Death strikes where his shadow falls'. " Similarly, Kesari - released earlier this year and based on the Battle of Saragarhi in 1897 between Sikh soldiers and Afghans - was also criticised for portraying the Afghans as violent invaders. 'Insensitive/distorted depiction' These films have offended many Afghans, such as Hassan Amin Shoob, a Kabul-based filmmaker. He said Panipat is yet another film that "failed to capture the true essence of Afghan history and values". "India's Panipat is undoubtedly of a lucrative nature, focused mainly on the Hindu aspect of the events. The director's take on history is a failed attempt, but a make-me-happy entertainment for the Hindus, " Shoob told Al Jazeera. "Ahmad Shah Durrani is universally acknowledged by historians as a man of wisdom. " On Sunday, a statement released by the Afghan foreign ministry said Idrees Zaman, the acting foreign minister, met with Indian envoy to Kabul Vinay Kumar to discuss the "issue of Afghan sensitivities" surrounding the film. Even before the film's release, the Afghan embassy in New Delhi had written a letter to the Indian government to raise its concerns over misrepresentation of the Afghan ruler. "Since the film is related to former Afghan emperor Ahmad Shah Abdali, any insensitive/distorted depiction of his character might provoke emotions of Afghans which could be unfairly exploited by others to adversely affect the trust and harmony that exists so well among the people of two countries, " the letter stated. India has had friendly ties with Afghanistan since the fall of the Taliban in 2001, with New Delhi being a major financial backer of the Western-backed government in Kabul. India has also earned the goodwill of the Afghans by carrying out major infrastructure projects in the war-torn country, including building the new parliament in Kabul. Bollywood films and Hindi-language soap operas are very popular in Afghanistan, which is among the biggest markets for the Hindi film industry. Afghans demand review of film Nafees Ur Rehman, a Pashtun researcher from neighbouring Pakistan whose work partially focuses on the vilification of Pashtuns and Afghans in colonial literature, said he decided not to watch Panipat. "It is fine to take some liberties while making historical films but these liberties should be consistent with the historical accounts and shouldn't challenge them, " he told Al Jazeera. "If I have to learn history, I can look up various authentic books, and I would prefer to watch a comedy for entertainment. But not Panipat movie. " In 2007, Afghanistan banned the Bollywood film, Kabul Express - a story about three journalists in post-Taliban Afghanistan - because parts of it were deemed offensive to the Shia Muslim Hazara ethnic minority. "Bollywood films most of the time vilify and stereotype Muslims. It was easier for them to find proxy in Pakistanis to portray Muslims that suited their agenda; but with the Afghans, they have found a new villain, " said Rehman. "I think this is a result of widespread religious nationalism. And as of now, such kind of nationalism demands to find 'heroes' among 'yourselves' and 'villains' in 'others'. The recent trend shows Bollywood is playing to such an audience, " he said. Afghans also took to Twitter to express their disappointment in the film, including Naseem Sharifi, Consul General of Afghanistan in Mumbai. " #PrimeMinisterModi it's honor to know & have met you on various occasions. Our request is to put da [sic] new movie #panipat under review to make sure that because of a few $$ that the filmmakers are earning? we don't lose our decade worth of hard work & efforts as friendly nations, " Sharifi said in a tweet. Indian film industry is tarnishing the history of Afghans. #Panipat — Mizrab Fatima (@MizrabF) December 8, 2019 India has shown Ahmed Shah in a negative role, which has disappointed many Afghans and Pashtuns around the world. #Panipat — Sehar Naz (@Patriot_SN1) December 8, 2019 In an interview on December 2, Panipat director Ashutosh Gowariker said that even though he respects the feelings of Afghans, Abdali did "invade us a few times". "For me, this film is not about the Hindu-Muslim battle, it's not. It's about stopping an invader, protecting your land, it is what the patriotic theme of the film is, " he told The Film Companion, a web channel that promotes Indian cinema. Gowariker, whose 2001 epic Lagaan was nominated for the Oscars, claimed he retained the dignity of Abdali's character in his film. Jawad, a photojournalist based in Kabul, echoed the concerns raised by Rehman, saying he was disturbed by how "Islam was portrayed the religion of violence and fear" in the film. "In one scene of the movie, it shows Abdali praying and immediately after he finishes the prayer, he is shown killing people, " he said. "Nowadays, people do not have time to read history, they believe what they see. I wish the Indian filmmaker focused on real history, instead of being biased towards Afghans and Muslims. "Abdali is described as a thief and a looter, which is not true. I can understand, for Indians Abdali is an invader but the incidents need to be shown according to the facts, not less not more. " 101 East The Stuntmen of Bollywood SOURCE: Al Jazeera News.

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Panipat movie time. Arjun kapoor not fitting in this role. Sanjay dutt has lived the role. I have purchased this movie and all I'm getting is sound with a black screen 😤 I want my money back. I am reporting this channel. Very good to see such maharashtrain films, very heart concept of the movie is very clear and full on interesting. Panipat movie collection. Critics Consensus No consensus yet. 50% TOMATOMETER Total Count: 12 65% Audience Score Verified Ratings: 54 Panipat Ratings & Reviews Explanation Panipat Videos Photos Movie Info PANIPAT is set in 1761, when the Maratha Empire had reached its zenith and their grip on Hindostan reigned supreme with no-one to challenge them until an invader set his eyes on the throne of Hindostan. That's when Sadashiv Rao Bhau (Arjun Kapoor), the Commander-in-Chief of the Maratha army led a northern expedition in order to repel the invading forces of Ahmad Shah Abdali (Sanjay Dutt), the King of Afghanistan. This War epic entails the events that led to the Third Battle of Panipat. Rating: NR Genre: Directed By: Written By: In Theaters: Dec 6, 2019 limited Runtime: 171 minutes Studio: Reliance Entertainment Cast Critic Reviews for Panipat Audience Reviews for Panipat Panipat Quotes Movie & TV guides.

Panipat movie online watch. Third Battle of Panipat The Third Battle of Panipat, 14 January 1761, Hafiz Rahmat Khan, standing right of Ahmad Shah Abdali, who is shown sitting on a brown horse. Date 14 January 1761 Location Panipat (in present-day Haryana, India) 29°23′N 76°58′E  /  29. 39°N 76. 97°E Result Durrani victory [1] Territorial changes Marathas lost suzerainty over Panipat and areas south of Panipat including Delhi to the Durranis. Ahmad Shah Durrani vacates Delhi soon after the battle. Belligerents Durrani Empire Supported by: Rohillas Maratha Empire Commanders and leaders Ahmad Shah Durrani Afghan Officers Timur Shah Durrani Wazir Wali Khan [1] Shah Pasand Khan [1] Barkhurdar Khan [2] Wazirullah Khan [2] Rohilla Officers Shuja-ud-Daula [3] Najib-ud-Daula [4] Amir Beg [2] Jahan Khan [1] Zain Khan Sirhindi Murad Khan [2] Shuja Quli Khan Hafiz Rahmat Khan [1] Dundi Khan [1] Banghas Khan [1] Nasir Khan Baluch [2] Ahmad Khan Bangash [2] Sadashiv Rao Bhau (commander-in-chief of Maratha Army) † Vishwasrao Bhatt † Malharrao Holkar Mahadji Shinde ( WIA) Ibrahim Khan Gardi † Jankoji Shinde ( POW) Shamsher Bahadur ( DOW) Damaji Gaikwad Yashwant Rao Pawar † Shri. Arvandekar Sidoji Gharge Strength 41, 800 Afghan cavalry of which 28, 000 was regular cavalry [5] 32000 Rohilla infantry [5] 55, 000 Maratha cavalry of which 11, 000 was regular cavalry [5] 9, 000 gardi infantry [5] The force was accompanied by 200, 000 non-combatants (pilgrims and camp-followers). [6] Casualties and losses 15, 000 Rohillas killed 5, 000 Afghans killed. [5] 30, 000 killed in battle [5] 10, 000 killed while retreating. [5] 10, 000 reported missing. [5] Another 40, 000–70, 000 non-combatants executed following the battle. [7] [8] The Third Battle of Panipat took place on 14 January 1761 at Panipat, about 97 km (60 miles) north of Delhi, between the Maratha Empire and the invading Afghan army of the King of Afghans, Ahmad Shah Abdali, supported by three Indian allies — the Rohilla Najib-ud-daulah, Afghans of the Doab region, and Shuja-ud-Daula, the Nawab of Awadh. The Maratha army was led by Sadashivrao Bhau who was third in authority after the Chhatrapati (Maratha King) and the Peshwa (Maratha Prime Minister). The main Maratha army was stationed in Deccan with the Peshwa. Militarily, the battle pitted the artillery and cavalry of the Marathas against the heavy cavalry and mounted artillery ( zamburak and jezail) of the Afghans and Rohillas led by Abdali and Najib-ud-Daulah, both ethnic Afghans. The battle is considered one of the largest and most eventful fought in the 18th century, [9] and it has perhaps the largest number of fatalities in a single day reported in a classic formation battle between two armies. The specific site of the battle itself is disputed by historians, but most consider it to have occurred somewhere near modern-day Kaalaa Aamb and Sanauli Road. The battle lasted for several days and involved over 125, 000 troops. Protracted skirmishes occurred, with losses and gains on both sides. The forces led by Ahmad Shah Durrani came out victorious after destroying several Maratha flanks. The extent of the losses on both sides is heavily disputed by historians, but it is believed that between 60, 000–70, 000 were killed in fighting, while the numbers of injured and prisoners taken vary considerably. According to the single best eyewitness chronicle—the bakhar by Shuja-ud-Daulah's Diwan Kashi Raj—about 40, 000 Maratha prisoners were slaughtered in cold blood the day after the battle. [8] Grant Duff includes an interview of a survivor of these massacres in his History of the Marathas and generally corroborates this number. Shejwalkar, whose monograph Panipat 1761 is often regarded as the single best secondary source on the battle, says that "not less than 100, 000 Marathas (soldiers and non-combatants) perished during and after the battle. " [7] The result of the battle was the temporary halting of further Maratha advances in the north and destabilisation of their territories for roughly ten years. This period is marked by the rule of Peshwa Madhavrao, who is credited with the revival of Maratha domination following the defeat at Panipat. In 1771, ten years after Panipat, he sent a large Maratha army into northern India in an expedition which re-established Maratha domination in that area and punished refractory powers that had either sided with the Afghans, such as the Rohillas, or had shaken off Maratha domination after Panipat. [10] But their success was short lived. Crippled by Madhavrao's untimely death at the age of 28, infighting ensued among Maratha chiefs soon after, and they ultimately met their final blow at the hands of the British in 1818. [11] Background Decline of the Mughal Empire The 27-year Mughal-Maratha war (1680–1707) led to rapid territorial loss of the Maratha Empire to the Mughal Emperor Aurangzeb. However after his death in 1707, this process reversed following the Mughal Succession War between the sons of Aurangzeb. By 1712, Marathas quickly started retaking their lost lands. Under Peshwa Baji Rao, Gujarat, Malwa and Rajputana came under Maratha control. Finally, in 1737, Baji Rao defeated the Mughals on the outskirts of Delhi and brought much of the former Mughal territories south of Agra under Maratha control. Baji Rao's son Balaji Baji Rao further increased the territory under Maratha control by invading Punjab in 1758. Raghunathrao's letter to the Peshwa, 4 May 1758. “ Lahore, Multan and other subahs on eastern side of Attock are under our rule for the most part, and places which have not come under our rule we shall soon bring under us. Ahmad Shah Durrani's son Timur Shah Durrani and Jahan Khan have been pursued by our troops, and their troops completely looted. Both of them have now reached Peshawar with a few broken troops... So Ahmad Shah Durrani has returned to Kandahar with some 12-14 thousand broken troops.. Thus all have risen against Ahmad who has lost control over the region. We have decided to extend our rule up to Kandahar. ” This brought the Marathas into direct confrontation with the Durrani empire of Ahmad Shah Abdali (also known as Ahmad Shah Durrani). In 1759 he raised an army from the Pashtun and Baloch tribes and made several gains against the smaller Maratha garrisons in Punjab. He then joined with his Indian allies—the Rohilla Afghans of the Gangetic Doab—forming a broad coalition against the Marathas. To counter this, Raghunathrao supposed to go north to handle the situation. Raghunathrao asked for large amount and an army, which was denied by Sadashivrao Bhau, his cousin and Diwan of Peshwa, so he declined to go. Sadashivrao Bhau was there upon made commander in chief of the Maratha Army, under whom the Battle of Panipat was fought. [12] The Marathas, under the command of Sadashivrao Bhau, responded by gathering an army of between 45, 000–60, 000, which was accompanied by roughly 200, 000 non-combatants, a number of whom were pilgrims desirous of making pilgrimages to Hindu holy sites in northern India. The Marathas started their northward journey from Patdur on 14 March 1760. Both sides tried to get the Nawab of Awadh, Shuja-ud-Daulah, into their camp. By late July Shuja-ud-Daulah made the decision to join the Afghan-Rohilla coalition, preferring to join what was perceived as the "army of Islam". This was strategically a major loss for the Marathas, since Shuja provided much-needed finances for the long Afghan stay in North India. It is doubtful whether the Afghan-Rohilla coalition would have the means to continue their conflict with the Marathas without Shuja's support. [ citation needed] Rise of the Marathas Grant Duff, describing the Maratha army: [13] The lofty and spacious tents, lined with silks and broadcloths, were surmounted by large gilded ornaments, conspicuous at a distance... Vast numbers of elephants, flags of all descriptions, the finest horses, magnificently caparisoned... seemed to be collected from every quarter... it was an imitation of the more becoming and tasteful array of the Mughuls in the zenith of their glory. The Marathas had gained control of a considerable part of India in the intervening period (1712–1757). In 1758 they nominally occupied Delhi, captured Lahore and drove out Timur Shah Durrani, [1] the son and viceroy of the Afghan ruler, Ahmad Shah Abdali. This was the high-water mark of Maratha expansion, where the boundaries of their empire extended north of the Sindhu river all the way down south to northern Kerala. This territory was ruled through the Peshwa, who talked of placing his son Vishwasrao on the Mughal throne. However, Delhi still remained under the control of Mughals, key Muslim intellectuals including Shah Waliullah and other Muslim clergies in India were frightened at these developments. In desperation they appealed to Ahmad Shah Abdali, the ruler of Afghanistan, to halt the threat. [14] Prelude Ahmad Shah Durrani ( Ahmad Shah Abdali), angered by the news from his son and his allies, was unwilling to allow the Marathas' spread go unchecked. By the end of 1759 Abdali with his Afghan tribes, his Baloch allies, and his Rohilla ally Najib Khan had reached Lahore as well as Delhi and defeated the smaller enemy garrisons. Ahmed Shah, at this point, withdrew his army to Anupshahr, on the frontier of the Rohilla country, where he successfully convinced the Nawab of Oudh Shuja-ud-Daula to join his alliance against the Marathas. The Marathas had earlier helped Safdarjung (father of Shuja) in defeating Rohillas in Farrukhabad. [10] The Marathas under Sadashivrao Bhau responded to the news of the Afghans' return to North India by raising an army, and they marched North. Bhau's force was bolstered by some Maratha forces under Holkar, Scindia, Gaikwad and Govind Pant Bundele. Suraj Mal (the Jat ruler of Bharatpur) also had joined Bhausaheb initially. This combined army captured the Mughal capital, Delhi, from an Afghan garrison in December 1759. [15] Delhi had been reduced to ashes many times due to previous invasions, and in addition there being acute shortage of supplies in the Maratha camp. Bhau ordered the sacking of the already depopulated city. [16] He is said to have planned to place his nephew and the Peshwa's son, Vishwasrao, on the Delhi throne. The Jats withdrew their support from the Marathas. Their withdrawal from the ensuing battle was to play a crucial role in its result. Abdali drew first blood by attacking a small Maratha army led by Dattaji Shinde at Burari Ghat. Dattaji was killed in the battle. [10] Afghan royal soldiers of the Durrani Empire (also referred to as the Afghan Empire). Afghan defeat at Kunjpura With both sides poised for battle, there followed much maneuvering, with skirmishes between the two armies fought at Karnal and Kunjpura. Kunjpura, on the banks of the Yamuna river 60 miles to the north of Delhi, was stormed by the Marathas and the whole Afghan garrison was killed or enslaved. [17] The Marathas achieved a rather easy victory at Kunjpura against an army of 15, 000 Afghans posted there. Some of Abdali's best generals were killed. Ahmad Shah was encamped on the left bank of the Yamuna River, which was swollen by rains, and was powerless to aid the garrison. The massacre of the Kunjpura garrison, within sight of the Durrani camp, exasperated Abdali to such an extent that he ordered crossing of the river at all costs. [18] Afghans cross Yamuna Ahmed Shah and his allies on 17 October 1760, broke up from Shahdara, marching south. Taking a calculated risk, Abdali plunged into the river, followed by his bodyguards and troops. Between 23 and 25 October they were able to cross at Baghpat (a small town about 24 miles up the river), unopposed by the Marathas who were still preoccupied with the sacking of Kunjpura. [19] After the Marathas failed to prevent Abdali's forces from crossing the Yamuna River, they set up defensive works in the ground near Panipat, thereby blocking his access back to Afghanistan, just as Abdali's forces blocked theirs to the south. However, on the afternoon of 26 October, Ahmad Shah's advance guard reached Sambalka, about halfway between Sonepat and Panipat, where they encountered the vanguard of the Marathas. A fierce skirmish ensued, in which the Afghans lost 1000 men but drove the Marathas back to their main body, which kept retreating slowly for several days. This led to the partial encirclement of the Maratha army. In skirmishes that followed, Govind Pant Bundele, with 10, 000 light cavalry who weren't formally trained soldiers, was on a foraging mission with about 500 men. They were surprised by an Afghan force near Meerut, and in the ensuing fight, Bundele was killed. This was followed by the loss of a contingent of 2, 000 Maratha soldiers who had left Delhi to deliver money and rations to Panipat. This completed the encirclement, as Ahmad Shah had cut off the Maratha army's supply lines. [20] With supplies and stores dwindling, tensions started rising in the Maratha camp. Initially the Marathas had moved in almost 150 pieces of modern long-range, French-made artillery. With a range of several kilometres, these guns were some of the best of the time. The Marathas' plan was to lure the Afghan army to confront them while they had close artillery support. [21] Preliminary moves During the next two months of the siege, constant skirmishes and duels took place between units from the two sides. In one of these Najib lost 3, 000 of his Rohillas and nearly killed himself. Facing a potential stalemate, Abdali decided to seek terms, which Bhau was willing to consider. However, Najib Khan delayed any chance of an agreement with an appeal on religious grounds and sowed doubt about whether the Marathas would honour any agreement. [22] After the Marathas moved from Kunjpura to Panipat, Diler Khan Marwat, with his father Alam Khan Marwat and a force of 2500 Pashtuns, attacked and took control of Kunjpura, where there was a Maratha garrison of 700–800 soldiers. At that time Atai Khan Baluch, son of the Wazir of Abdali, came from Afghanistan with 10, 000 cavalry and cut off the supplies to the Marathas. [10] The Marathas at Panipat were surrounded by Abdali in the south, Pashtun Tribes (Yousuf Zai, Afridi, Khattak) in the east, Shuja, Atai Khan and others in the north and other Pashtun tribes (Gandapur, Marwat, Durranis and Kakars) in the west. [10] Unable to continue without supplies or wait for reinforcements any longer, Bhau decided to break the siege. His plan was to pulverise the enemy formations with cannon fire and not to employ his cavalry until the Afghans were thoroughly softened up. With the Afghans broken, he would move camp in a defensive formation towards Delhi, where they were assured supplies. [10] Formations With the Maratha chiefs pressurizing Sadashivrao Bhau, to go to battle rather than perish by starvation, on 13 January, the Marathas left their camp before dawn and marched south towards the Afghan camp in a desperate attempt to break the siege. The two armies came face-to-face around 8:00 a. m. [10] The Maratha lines began a little to the north of Kala Amb. They had thus blocked the northward path of Abdali's troops and at the same time were blocked from heading south—in the direction of Delhi, where they could get badly needed supplies—by those same troops. Bhau, with the Peshwa's son and the royal guard (Huzurat), was in the centre. The left wing consisted of the Gardis under Ibrahim Khan. Holkar and Sindhia were on the extreme right. [23] The Maratha line was formed up some 12 km across, with the artillery in front, protected by infantry, pikemen, musketeers and bowmen. The cavalry was instructed to wait behind the artillery and bayonet-wielding musketeers, ready to be thrown in when control of the battlefield had been fully established. Behind this line was another ring of 30, 000 young Maratha soldiers who were not battle-tested, and then the civilians. Many were ordinary men, women and children on their pilgrimage to Hindu holy places and shrines. Behind the civilians was yet another protective infantry line, of young, inexperienced soldiers. [10] On the other side the Afghans formed a somewhat similar line, a few metres to the south of today's Sanauli Road. Their left was being formed by Najib and their right by two brigades of troops. Their left centre was led by two Viziers, Shuja-ud-daulah with 3, 000 soldiers and 50–60 cannons and Ahmad Shah's Vizier Shah Wali with a choice body of 19, 000 mailed Afghan horsemen. [24] The right centre consisted of 15, 000 Rohillas under Hafiz Rahmat and other chiefs of the Rohilla Pathans. Pasand Khan covered the left wing with 5, 000 cavalry, Barkurdar Khan and Amir Beg covered the right with 3, 000 Rohilla cavalry. Long-range musketeers were also present during the battle. In this order the army of Ahmed Shah moved forward, leaving him at his preferred post in the centre, which was now in the rear of the line, from where he could watch and direct the battle. [10] Battle Early phases Before dawn on 14 January 1761, the Maratha troops broke their fast with the last remaining grain in the camp and prepared for combat. They emerged from the trenches, pushing the artillery into position on their prearranged lines, some 2 km from the Afghans. Seeing that the battle was on, Ahmad Shah positioned his 60 smooth-bore cannon and opened fire. [10] The initial attack was led by the Maratha left flank under Ibrahim Khan, who advanced his infantry in formation against the Rohillas and Shah Pasand Khan. The first salvos from the Maratha artillery went over the Afghans' heads and did very little damage. Nevertheless, the first Afghan attack by Najib Khan's Rohillas broken by Maratha bowmen and pikemen, along with a unit of the famed Gardi musketeers stationed close to the artillery positions. The second and subsequent salvos were fired at point-blank range into the Afghan ranks. The resulting carnage sent the Rohillas reeling back to their lines, leaving the battlefield in the hands of Ibrahim for the next three hours, during which the 8, 000 Gardi musketeers killed about 12, 000 Rohillas. [10] In the second phase, Bhau himself led the charge against the left-of-center Afghan forces, under the Afghan Vizier Shah Wali Khan. The sheer force of the attack nearly broke the Afghan lines, and the Afghan soldiers started to desert their positions in the confusion. Desperately trying to rally his forces, Shah Wali appealed to Shuja ud Daulah for assistance. However, the Nawab did not break from his position, effectively splitting the Afghan force's center. Despite Bhau's success, the over-enthusiasm of the charge, the attack didn't achieve complete success as many of the half-starved Maratha mounts were exhausted. [10] Final phase The Marathas, under Scindia, attacked Najib. Najib successfully fought a defensive action, however, keeping Scindia's forces at bay. By noon it looked as though Bhau would clinch victory for the Marathas once again. The Afghan left flank still held its own, but the centre was cut in two and the right was almost destroyed. Ahmad Shah had watched the fortunes of the battle from his tent, guarded by the still unbroken forces on his left. He sent his bodyguards to call up his 15, 000 reserve troops from his camp and arranged them as a column in front of his cavalry of musketeers ( Qizilbash) and 2, 000 swivel-mounted shutarnaals or Ushtranaal—cannons—on the backs of camels. [25] [ page needed] The shaturnals, because of their positioning on camels, could fire an extensive salvo over the heads of their own infantry, at the Maratha cavalry. The Maratha cavalry was unable to withstand the muskets and camel-mounted swivel cannons of the Afghans. They could be fired without the rider having to dismount and were especially effective against fast-moving cavalry. Abdali therefore, sent 500 of his own bodyguards with orders to raise all able-bodied men out of camp and send them to the front. He sent 1, 500 more to punish the front-line troops who attempted to flee the battle and kill without mercy any soldier who would not return to the fight. These extra troops, along with 4, 000 of his reserve troops, went to support the broken ranks of the Rohillas on the right. The remainder of the reserve, 10, 000 strong, were sent to the aid of Shah Wali, still labouring unequally against the Bhau in the centre of the field. These mailed warriors were to charge with the Vizier in close order and at full gallop. Whenever they charged the enemy in front, the chief of the staff and Najib were directed to fall upon either flank. [10] With their own men in the firing line, the Maratha artillery could not respond to the shathurnals and the cavalry charge. Some 7, 000 Maratha cavalry and infantry were killed before the hand-to-hand fighting began at around 14:00 hrs. By 16:00 hrs, the tired Maratha infantry began to succumb to the onslaught of attacks from fresh Afghan reserves, protected by armoured leather jackets. [10] Outflanked Sadashiv Rao Bhau who had not kept any reserves, seeing his forward lines dwindling, civilians behind and upon seeing Vishwasrao disappear in the midst of the fighting, felt he had no choice but to come down from his elephant and lead the battle. [1] Taking advantage of this, the Afghan soldiers who had been captured by the Marathas earlier during the siege of Kunjpura revolted. The prisoners unwrapped their green belts and wore them as turbans to impersonate the troops of the Durrani Empire and began attacking from within. This brought confusion and great consternation to the Maratha soldiers, who thought that the enemy had attacked from the rear. Some Maratha troops, seeing that their general had disappeared from his elephant, panicked and scattered in disarray. [10] Abdali had given a part of his army the task of surrounding and killing the Gardis, who were at the leftmost part of the Maratha army. Bhausaheb had ordered Vitthal Vinchurkar (with 1500 cavalry) and Damaji Gaikwad (with 2500 cavalry) to protect the Gardis. However, after seeing the Gardis having no clearing for directing their cannon fire at the enemy troops, they lost their patience and decided to fight the Rohillas themselves. Thus, they broke their position and went all out on the Rohillas. The Rohilla riflemen started accurately firing at the Maratha cavalry, which was equipped only with swords. This gave the Rohillas the opportunity to encircle the Gardis and outflank the Maratha centre while Shah Wali pressed on attacking the front. Thus the Gardis were left defenseless and started falling one by one. [10] Vishwasrao had already been killed by a shot to the head. Bhau and his royal Guard fought till the end, the Maratha leader having three horses shot out from under him. At this stage, Holkar, realising the battle was lost, broke from the Maratha left flank and retreated. [1] The Maratha front lines remained largely intact, with some of their artillery units fighting until sunset. Choosing not to launch a night attack, many Maratha troops escaped that night. Bhau's wife Parvatibai, who was assisting in the administration of the Maratha camp, escaped to Pune with her bodyguard, Janu Bhintada. Some 15, 000 soldiers managed to reach Gwalior. [1] Reasons for the outcome Durrani had both numeric as well as qualitative superiority over Marathas. The combined Afghan army was much larger than that of Marathas. Though the infantry of Marathas was organized along European lines and their army had some of the best French-made guns of the time, their artillery was static and lacked mobility against the fast-moving Afghan forces. The heavy mounted artillery of Afghans proved much better in the battlefield than the light artillery of Marathas. [26] [ page needed] None of the other Hindu Kings joined forces to fight Abdali. Allies of Abdali, namely, Najib, Shuja and the Rohillas knew North India very well. He was also diplomatic, striking agreements with Hindu leaders, especially the Jats and Rajputs, and former rivals like the Nawab of Awadh, appealing to him in the name of religion. [10] Moreover, the senior Maratha chiefs constantly bickered with one another. Each had ambitions of carving out their independent states and had no interest in fighting against a common enemy. [27] Some of them did not support the idea of a pitched battle and wanted to fight using guerrilla tactics instead of charging the enemy head-on. [28] The Marathas were fighting alone at a place which was 1000 miles away from their capital Pune. [29] Raghunathrao was supposed to go north to reinforce the army. Raghunathrao asked for large amount of wealth and troops, which was denied by Sadashivrao Bhau, his cousin and Diwan of Peshwa, so he declined to go. [12] Sadashivrao Bhau was there upon made commander in chief of the Maratha Army, under whom the Battle of Panipat was fought. Some historians have opined, that Peshwa's decision to appoint Sadashivrao Bhau as the Supreme Commander instead of Malharrao Holkar or Raghunathrao proved to be an unfortunate one, as Sadashivrao was totally ignorant of the political and military situation in North India. [30] If Holkar had remained in the battlefield, the Maratha defeat would have been delayed but not averted. Ahmad Shah's superiority in pitched battle could have been negated if the Marathas had conducted their traditional ganimi kava, or guerrilla warfare, as advised by Malharrao Holkar, in Punjab and in north India. Abdali was in no position to maintain his field army in India indefinitely. [28] Massacres after the battle The Afghan cavalry and pikemen ran wild through the streets of Panipat, killing tens of thousands of Maratha soldiers and civilians. [7] [8] The women and children seeking refuge in streets of Panipat were hounded back in Afghan camps as slaves. Children over 14 were beheaded before their own mothers and sisters. Afghan officers who had lost their kin in battle were permitted to carry out massacres of 'infidel' Hindus the next day also, in Panipat and the surrounding area. [31] They arranged victory mounds of severed heads outside their camps. According to the single best eyewitness chronicle – the bakhar by Shuja-ud-Daula 's Diwan Kashi Raj – about 40, 000 Maratha prisoners were slaughtered in cold blood the day after the battle. [7] [8] According to Hamilton, a reporter of the Bombay Gazette about half a million Marathi people were present there in Panipat town and he gives a figure of 40, 000 prisoners as executed by Afghans. [7] [8] Many of the fleeing Maratha women jumped into the Panipat wells rather than risk rape and dishonour. [31] All of the prisoners were transported on bullock carts, camels and elephants in bamboo cages. [31] Siyar-ut-Mutakhirin says: [31] The unhappy prisoners were paraded in long lines, given a little parched grain and a drink of water, and beheaded... and the women and children who survived were driven off as slaves – twenty-two thousand, many of them of the highest rank in the land. Aftermath Mahadaji Shinde restored the Maratha domination on northern India, within a decade after the war. The bodies of Vishwasrao and Bhau were recovered by the Marathas and were cremated according to their custom. [32] Bhau's wife Parvatibai was saved by Holkar, per the directions of Bhau, and eventually returned to Pune. Peshwa Balaji Baji Rao, uninformed about the state of his army, was crossing the Narmada with reinforcements when he heard of the defeat. He returned to Pune and never recovered from the shock of the debacle at Panipat. [1] According to Shuresh Sharma, "It was Balaji Bajirao's love of pleasure which was responsible for Panipat. He delayed at Paithan celebrating his second marriage until December 27, when it was too late. " [33] Jankoji Scindia was taken prisoner and executed at the instigation of Najib. Ibrahim Khan Gardi was tortured and executed by enraged Afghan soldiers. [32] The Marathas never fully recovered from the loss at Panipat, but they remained the predominant military power & the largest empire in the Indian subcontinent and managed to retake Delhi 10 years later. However, their claim over all of India ended with the three Anglo-Maratha Wars, almost 50 years after Panipat, in the early 1800s. [34] The Jats under Suraj Mal benefited significantly from not participating in the Battle of Panipat. They provided considerable assistance to the Maratha soldiers and civilians who escaped the fighting. [35] Ahmad Shah's victory left him, in the short term, the undisputed master of North India. However, his alliance quickly unravelled amidst squabbles between his generals and other princes, the increasing restlessness of his soldiers over pay, the increasing Indian heat and arrival of the news that Marathas had organised another 100, 000 men in the south to avenge their loss and rescue captured prisoners. [ citation needed] Though Abdali won the battle, he also had heavy casualties on his side and sought peace with the Marathas. Abdali sent a letter to Nanasaheb Peshwa (who was moving towards Delhi, albeit at a very slow pace to join Bhau against Abdali) appealing to the Peshwa that he was not the one who attacked Bhau and was just defending himself. Abdali wrote in his letter to Peshwa on 10 February 1761: [36] There is no reason to have animosity amongst us. Your son Vishwasrao and your brother Sadashivrao died in battle, was unfortunate. Bhau started the battle, so I had to fight back unwillingly. Yet I feel sorry for his death. Please continue your guardianship of Delhi as before, to that I have no opposition. Only let Punjab until Sutlaj remain with us. Reinstate Shah Alam on Delhi's throne as you did before and let there be peace and friendship between us, this is my ardent desire. Grant me that desire. These circumstances made Abdali leave India at the earliest. Before departing, he ordered the Indian chiefs, through a Royal Firman (order) (including Clive of India), to recognise Shah Alam II as Emperor. [37] Map of India in 1765, before the fall of Nawabs and Princely states nominally allied to the emperor (mainly in Green). Ahmad Shah also appointed Najib-ud-Daula as ostensible regent to the Mughal Emperor. In addition, Najib and Munir-ud-daulah agreed to pay to Abdali, on behalf of the Mughal king, an annual tribute of four million rupees. [37] This was to be Ahmad Shah's final major expedition to North India, as the losses in the battle left him without the capacity to wage any further war against the Marathas, and as he became increasingly preoccupied with the rise of the Sikhs. [38] [ page needed] Abdali never recovered from the pyrrhic victory and his losses left him weakened and unable to control his dominions leading to the rise of the Sikh Empire. Shah Shuja's forces (including Persian advisers) played a decisive role in collecting intelligence against the Hindu forces and was notorious in ambushing the leading in hundreds of casualties. [39] After the Battle of Panipat the services of the Rohillas were rewarded by grants of Shikohabad to Nawab Faiz-ullah Khan and of Jalesar and Firozabad to Nawab Sadullah Khan. Najib Khan proved to be an effective ruler. However, after his death in 1770, the Rohillas were defeated by the British East India Company. [ citation needed] Najib died on 30 October 1770. [40] Legacy The valour displayed by the Marathas was praised by Ahmad Shah Abdali. [41] The Marathas fought with the greatest valour which was beyond the capacity of other races. These dauntless blood-shedders didn't fall short in fighting and doing glorious deeds. But ultimately we won with our superior tactics and with the grace of the Divine Lord. The Third Battle of Panipat saw an enormous number of deaths and injuries in a single day of battle. It was the last major battle between South Asian-headed military powers until the creation of Pakistan and India in 1947. To save their kingdom, the Mughals once again changed sides and welcomed the Afghans to Delhi. The Mughals remained in nominal control over small areas of India but were never a force again. The empire officially ended in 1857 when its last emperor, Bahadur Shah II, was accused of being involved in the Sepoy Mutiny and exiled. The Marathas' expansion was delayed due to the battle, and the damage done to the Maratha morale from the initial defeat caused infighting to break out within the empire. They recovered their position under the next Peshwa Madhavrao I and were back in control of the north, finally occupying Delhi by 1771. However, after the death of Madhavrao, due to incessant infighting and external aggression from British imperialist forces, their claims to empire only officially ended in 1818 after three wars with the British East India Company. Meanwhile, the Sikhs—whose rebellion was the original reason Ahmad invaded—were left largely untouched by the battle. They soon retook Lahore. When Ahmad Shah returned in March 1764 he was forced to break off his siege after only two weeks due to a rebellion in Afghanistan. He returned again in 1767 but was unable to win any decisive battle. With his own troops complaining about not being paid, he eventually lost the region to the Sikh Khalsa Raj, who remained in control until 1849 when it was annexed by British East India Company. The battle was referred to in Rudyard Kipling 's poem "With Scindia to Delhi". Our hands and scarfs were saffron-dyed for signal of despair, When we went forth to Paniput to battle with the ~Mlech~, Ere we came back from Paniput and left a kingdom there. It is, however, also remembered as a scene of valour on both sides. Ataikhan, the adopted son of the wazir, was said to have been killed during this time when Yashwantrao Pawar climbed atop his elephant and struck him down. [42] [43] Santaji Wagh's corpse was found with over 40 mortal wounds. The bravery of Vishwas Rao, the Peshwa's son, and Sadashiv Bhau was acknowledged even by the Afghans. [44] In popular culture Bangali poet Kaykobad wrote a long poem Mahashmashan based on this battle. Bengali writer, playwright Munier Choudhury ’s play Roktakto Prantor (1959) is based on the third battle of Panipat. The film Panipat, directed by director Ashutosh Gowariker, starring Arjun Kapoor, Sanjay Dutt and Kriti Sanon is based on the Third Battle of Panipat. The film released on December 6, 2019. [45] See also First Battle of Panipat Second Battle of Panipat Battle of Sialkot (1761) Battle of Gujranwala (1761) References ^ a b c d e f g h i j k l Kaushik Roy, India's Historic Battles: From Alexander the Great to Kargil, (Orient Longman, 2004), 90. ^ a b c d e f Sharma, Suresh K. (2006). Haryana: Past and Present. ISBN 9788183240468. ^ Kulke, Hermann; Rothermund, Dietmar (2004). A History of India. ISBN 9780415329194. ^ History. ISBN 9788187139690. ^ a b c d e f g h Roy, Kaushik (2004). India's Historic Battles: From Alexander the Great to Kargil. pp. 84–85-93. ^ "Third Battle of Panipat (1761) | Panipat, Haryana". ^ a b c d e James Grant Duff "History of the Mahrattas, Vol II (Ch. 5), Printed for Longman, Rees, Orme, Brown, and Green, 1826" ^ a b c d e T. S. Shejwalkar, "Panipat 1761" (in Marathi and English) Deccan College Monograph Series. I., Pune (1946) ^ Black, Jeremy (2002). Warfare In The Eighteenth Century. Cassell. ISBN 978-0304362127. ^ a b c d e f g h i j k l m n o p q Shejwalkar, Trimbak. Panipat 1761. ISBN 9788174346421. ^ ^ a b Raghunathrao ^ Keene, H. G. The Fall of the Moghul Empire of Hindustan. VI. pp. 80–81. ^ Agrawal, Ashvini (1983). "Events leading to the Battle of Panipat". Studies in Mughal History. Motilal Banarsidass. p. 26. ISBN 978-8120823266. ^ Robinson, Howard; James Thomson Shotwell (1922). Mogul Empire. The Development of the British Empire. Houghton Mifflin. p. 91. CS1 maint: uses authors parameter ( link) ^ Agrawal, Ashvini (1983). p. 26. ISBN 8120823265. ^ Also see Syed Altaf Ali Brelvi, Life of Hafiz Rahmat Khan. pp. 108–09. ^ Lateef, S M. "History of the Punjab". p. 235. ^ Shejwalkar, Trimbak. ISBN 9788174346421. ^ Rawlinson, H. G (1926). An Account Of The Last Battle of Panipat. Oxford University Press. ^ Rawlinson, H. (1926). Oxford University Press. ^ Keene, H. (1887). Part I, Chapter VI: The Fall of the Moghul Empire of Hindustan. ^ War Elephants Written by Konstantin Nossov, Illustrated by Peter Dennis Format: Trade Paperback ISBN 978-1-84603-268-4 ^ Chandra, Satish (2004). "Later Mughals". Medieval India: From Sultanate to the Mughals Part II. Har-Anand. ISBN 978-81-241-1066-9. ^ James Rapson, Edward; Wolseley Haig; Richard Burn; Henry Dodwell; Robert Eric Mortimer Wheeler (1937). The Cambridge History of India: The Mughul period, planned by W. Haig. 4. Cambridge University Press. p. 448. ^ a b Roy, Kaushik (2004). Orient Blackswan. ISBN 978-8-17824-109-8. ^ "250 years on, Battle of Panipat revisited". 13 January 2011. Retrieved 26 March 2012. ^ Claude Markovits, A history of modern India, 1480–1950. 207. ^ a b c d Rawlinson, H. (1937). Cambridge History of India. IV. p. 424 + note. ^ a b Barua, Pradeep (1994). "Military Developments in India, 1750–1850". Journal of Military History. 58 (4): 599–616. doi: 10. 2307/2944270. JSTOR 2944270. ^ Sharma, Suresh K. Mittal Publications. p. 173. ISBN 9788183240468. Retrieved 7 March 2019. ^ Sarkar, Jadunath (1950). Fall of the Mughal Empire. Longmans. p. 235. ^ K. R. Qanungo, History of the Jats, Ed Dr Vir Singh, Delhi, 2003, p. 83 ^ G S Sardesai's Marathi Riyasat, volume 2. "The reference for this letter as given by Sardesai in Riyasat – Peshwe Daftar letters 2. 103, 146; 21. 206; 1. 202, 207, 210, 213; 29, 42, 54, and 39. 161. Satara Daftar – document number 2. 301, Shejwalkar's Panipat, page no. 99. Moropanta's account – 1. 1, 6, 7". ^ a b Mohsini, Haroon. "Invasions of Ahmad Shah Abdali". Archived from the original on 13 August 2007. Retrieved 13 August 2007. ^ MacLeod, John (2002). The History of India. Greenwood Press. ^ Rule of Shah Alam, 1759–1806 The Imperial Gazetteer of India, 1909, v. 2, p. 411. ^ Rule of Shah Alam, 1759–1806 The Imperial Gazetteer of India, 1909, v. 2, p. 411. ^ "The lost Marathas of third battle of Panipat". India Today. 12 January 2012. Retrieved 5 April 2017. ^ "India_Modern_Peshwas04". ^ "Pilgrimage to Panipat". This was a revenge on behalf of the sikhs too as this same was Ataikhan was the killer of Baba Deep Singhji & desecrator of Harmandir Sahib in 1757. ^ Rao, S. "Walking the streets of Panipat". Indian Oil News. Archived from the original on 28 April 2008. Retrieved 8 April 2008. ^ [1] Further reading H. Rawlinson, An Account Of The Last Battle of Panipat and of the Events Leading To It, Hesperides Press (2006) ISBN 978-1-4067-2625-1 Vishwas Patil, Panipat – a novel based on the 3rd battle of Panipat, Venus (1990) Uday S. Kulkarni, A Non Fiction book – 'Solstice at Panipat – 14 January 1761' Mula-Mutha Publishers, Pune (2011). ISBN 978-81-921080-0-1 An Authentic Account of the Campaign of Panipat. Third Battle of Panipat by Abhas Verma ISBN 9788180903397 Bharatiya Kala Prakashana External links Panipat War memorial Pictures District Panipat Was late mediaeval India ready for a Revolution in Military Affairs? Part II Airavat Singh Detailed genealogy of the Durrani dynasty Historical maps of India in the 18th century.

Fully suspense thriller super duper hit 💪💪💪💪💪💪✌✌👍. I feel like Dabanng 3 ignored dabanng one completely maki and chilbul were brothers and cool with each other in dabanng 3 but dabanng 1 was opposite. Please isaqzaade full movie upload koro na koi. Movie was very well presented by Ashutosh Gowariker, the set and the costumes used in the filmmaking was absolutely so gorgeous.

Arjun kapoor bilkul fuddu lag raha hai And baba always best👍🏻. Sanjay dutt awesome... Panipat movie full movie. With the release of the film Panipat a controversy has erupted, the central question being the role of Maharaja Surajmal and why he did not fight the third Battle of Panipat resulting in a humiliating defeat for the Marathas. Panipat Controversy – Why Maharaja Surajmal didn’t fight the Third Battle of Panipat Ahmed Shah Abdali After the death of Shah Alamgir II, there were two rival nobles at the Delhi court, Ghazi Uddin and Nazibudaulah. Some dissident courtiers invited Ahmed Shah Abdali from Kabul to counter Ghazi Uddin. With the help of these accomplices, Ahmed Shah Abdali succeeded in removing Ghazi Uddin from Wazarat, and obtained one crore of rupees as indemnity. On 29th June 1757 Ahmed Shah Abdali sat on throne of Delhi and issued coins in his name. Ghazi Uddin with his friends sought asylum at Bharatpur. Ahmed Shah Abdali wrote to Maharaja Surajmal to pay a fine of Rs one crore or be ready for war. Maharaja Surajmal accepted the challenge. He sent his son Jawahar Singh on a flank to Balabgarh and himself attacked the forces of Abdali when they were yet busy in preparations for the action. At its peak #BritishEmpire covered more than a quarter of the world. To rule over natives & extract their resources, officers of East India Company segregated populations into different regions. One such case is #NorthEastIndia. #CitizenshipAmendmentAct — GreatGameIndia (@GreatGameIndia) December 14, 2019 On 12 Feb 1757, Durrani’s forces created havoc in Bharatpur and massacred a large number of innocent people. Though the Jats had suffered heavy casualties, Durrani dared not proceed to attack Deeg and Bharatpur. Due to this heavy bloodshed Cholera broke out in Durrani’s forces and they had to leave the Jat territory. Surajmal preferred to face all these troubles than to give up one who had sought his protection. Why Maharaja Surajmal didn’t fight the Third Battle Of Panipat The political aim of Ahmed Shah Abdali was to create differences between Hindus and Muslims and thereby strengthen the Delhi throne. To some extent he succeeded in his designs. With this policy, a country wide resentment spread amongst Hindus. By this time the Marathas had got sufficient power in Deccan. They became champion of the people’s cause and decided to have a pitched battle with Abdali. They rushed messengers to all Hindu rulers and asked them to unite and support Marathas for the common cause of defending the religion. It is a pity, that the Rajput rulers did not respond favorably and gave an evasive reply. However, the daring Jat Ruler Maharaja Surajmal volunteered readily with his formidable Jats force. On the other side all the Muslim rulers in India, united to support Ahmed Shah Abdali. Ahmed Shah cunningly invited Ghazi Uddin with the assurances that he would reinstate him as Grand Wazir. Surajmal permitted Ghazi Uddin to return to Abdali, but he was so heavily indebted to the Jats, that he categorically rejected Abdali’s invitation. An operational conference was held at Agra to discuss the plans for the battle against Abdali. Surajmal was a tactician of high caliber. He appreciated that the enemy had superior forces. The only way in which Marathas could win was by organizing their forces into highly mobile hard hitting groups. He suggested that they should shed their heavy baggage and their families and send them across River Chambal to the fort of Deeg for safety. He also advised that they should avoid pitched battle, conduct guerilla warfare and continue harassing and delaying the enemy till the on-set of the rainy season. By this time Abdali’s forces which were not accustomed to hard life would get demoralized and worn out. Then the Marathas should attack, and neutralize the enemy forces. These tactics of Maharaja Surajmal were very much appreciated by all the Maratha Chiefs except (Sadashiv) Raghunath Rao Bhau, who considered the adoption of these tactics to be below his dignity. He bluntly told Suraj Mal that the Marathas did not need help or guidance from any quarter for the battle of Panipat. Inspite of this Maharaja Surajmal remained in support with Ghazi Uddin and 18, 000 troops. In July 1760, Marathas occupied Delhi, Ghazi Uddin was appointed Wazir and a prince of Moghul dynasty was placed on the throne of Delhi. But soon after, much against the wishes of Maharaja Surajmal, the Marathas removed Ghazi Uddin from Wazarat and appointed a Mahratta in his place. In 1800 East India Company annexed #Surat and signed a treaty with the Nawab. Ruthlessly the treaty was violated leaving port city of Surat and Nawab’s descendants on verge of destitution; following which rose a Prince who defeated EIC on their own soil. — GreatGameIndia (@GreatGameIndia) December 7, 2019 They ordered the golden ceiling of Diwan-e-Am to be removed. Maharaja Surajmal, disapproved of this action and told them that being a thing of beauty it should not be destroyed. He offered to pay a sum of Rs Five lakhs to Marathas, provided they spared the historical monument but Marathas did not desist from doing so and ultimately they got gold worth Rs 3 lakhs only out of it. The patience of Surajmal got exhausted by these ravages and the insulting behavior of Bhau. He left for Bharatpur without informing anyone. Maharaja Surajmal, now had two enemies, and obviously he was required to fight whoever came out victorious. The Marathas were badly defeated at the Battle of Panipat. A large number of them were butchered, their treasury was looted, their woman molested and they fled away from the battlefield helter-skelter, worn and weary, naked and hungry, the Maratha soldiers entered the territory of Maharaja Surajmal. He looked after them, gave them food and clothes and finally bid them farewell after giving one rupee and one seer of gram to each for their home journey. A sum of Rs 10 lakhs was spent by Maharaja Surajmal on this occasion. Excerpt from the History of the Jats by Ram Sarup Joon translated by Lieutenant Colonel Dal Singh. The burning and the destruction of Kashmir, which is rightly called the “Abandoned Heart and Soul of India”, both spiritually as well as materially, started at least a century before we got “independence”. This process was initiated by the British and then perpetuated by the British-installed puppet Dogra Kings and subsequently perfected political parties. Read the untold geopolitical history of Kashmir only in our exclusive book India in Cognitive Dissonance. GreatGameIndia is a journal on Geopolitics and International Relations. Get to know the Geopolitical threats India is facing in our exclusive book India in Cognitive Dissonance. Send in your tips and submissions by filling out this form or write to us directly at the email provided. Join us on Telegram for more intel and updates. We need your support to carry on our independent and investigative research based journalism on the external and internal threats facing India. Your contribution however small helps us keep afloat. Kindly consider donating to GreatGameIndia.

Very nice movie everyone's acting was amazing... everyone played their role very well, it was such an interesting movie. After watching this video and 8 reasons i would just say' a bad man always querrls with his tools. Hindustan main reh k Maratha ko musam ka pata nahi tha aur abdali pori tyari se aya tha' what a loads of bull shit. O bahi hindu kabi Muslim kay samny fight nahi kar sakta. Daal khor. Panipat movie download filmyzilla hindi. Panipat movie public reaction. Bekar h yr bhkk bc. Vikash yadav. Ajay Atul music is Awesome. Panipat movie nyc.

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  1. Columnist: Ahsan Tanoli
  2. Resume: Be true to yourself - IT main jhak maar raha hon

 

 

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  1. runtime 17 minute
  2. Abstract A night. A car. Alie is in danger. To get by she must make the most important phone call of her life
  3. audience Score 1034 Vote
  4. Thriller
  5. Writed by Delphine Girard

 

 

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Star selma alaoui une soeur y. Star Selma Alaoui Une soeur thérèse. 😍😍😍😍😍😘😘😘😘😘😘. This was an excellent, very well made exciting short film, which makes you sit on the edge of your seat. The dialogues and the performances were all convincing and the ending was cathartic. But unfortunately this movie is kind of a copy paste of a great danish movie called "The Guilty. If that movie didn't exist I would give this one a 10/10 rating, but the plot is so similar to "The Guilty" that it couldn't surprise me despite it's great presentation. Still I think this is the best of the Oscar nominated live action short films this year this year (I haven't seen SARIA yet.
P.S.: I didn't spoil "The Guilty" watch that if you liked this.

 

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3.8 / 5
Votes: 568

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About The Author Seema Kulkarni
Biography: Mother and a Grandmother

 

  • User ratings - 6,4 of 10 Star
  • Genre - War
  • directors - Ashutosh Gowariker
  • Audience Score - 3160 Vote
  • Duration - 2 H 45 minutes

 

Panipat the great betrayal rating. Panipat: the great betrayal walkthrough. Panipat the great betrayal 2019 new bollywood movie. Panipat: the great betrayal quotes. I watched the whole trailer that i will get a laughter in next moment but it was really dissappointing.

Love is a most powerful emotion. We can say love is life. Every thing is possible with love. I salute you 👌Nura 💪. I cannot understand such underwhelming rating and the audience response. The movie is far better than Baajirao Mastaani and Padmaavat in that regard. Ashutosh Gowarikar has done a very commendable job and shows his capability of handling such a large scale movie. One of the rare occasions where I do not agree with the IMDB rating.

Can you please make this free. Best thing to do is pirate this movie and not allow the racist Bollywood industry to make a single Rupee of this flim.

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No need of knowledge for u maam. ur hawt... that enogh... Challo jo b howa chorho ab app log sab 1 dosray ka khyall rakho our pyar say raho. Panipat: the great betrayal youtube. Panipat: the great betrayal scene. Just give us. 1 reason to watch this movie. Nice movie. Gowarikar can make good war movies. I am pleasantly surprised, trailer was not so good but movie is really good.
It is a good watch. Movie is about lengthy but keeps you captivated. Arjun should have worked on his accent. Ranveer had done much fabulous job. Movie is nevertheless a good movie and an entertainer.

Panipat the great betrayal full movie in hindi. In 18th century India, Shadashivrao Bhau( Arjun Kapoor) commander-in-chief of the Maratha army, leads his force in the Third Battle of Panipat against Ahmad Shah Abdali(Sanjay Dutt) the king of Afghanistan.
Its the actual story after Mughal rule & before British Raj in india.
with a run-time of close to 3 hours and the many characters and plot points the film touches upon it becomes a lengthy and at times, tedious watch.
Arjun Kapoor-The Saandh(Bull) is sincere n acted well wch is unusual. Sanjay Dutt is awwsm as afghani ruler.
The film has been mounted on a lavish scale and it comes through in almost every scene.
'Panipat' is a chapter of history and is a war drama that lauds the bravery, courage and the strong principles of the Marathas.
Panipat brings an unknown part of history that shows the Marathas as Brave rulers of India.

Lovely movie. मराठा अपने देश मे आए हुए विदेशी हमलावर को भगाने के लिए दक्षिण से उत्तर भारत गए और हमलावर अब्दाली के साथ लढे ।लेकिन मराठो को कीसी भी उत्तर भारत के राजाने मदद नही की । मराठे अकेले ही अपने देश के लिए लढते रहे ।ऐसे मराठो को सलाम ।. Panipat 3a the great betrayal pdf. Ma sha khob... Panipat 3a the great betrayal tiktok. Panipat 3a the great betrayal worksheet. Panipat Online HD HBO 2018 Online Watch panipat Online Hulu Panipat tv Hindi HBO 2018 Watch Online. Panipat the great betrayal story. I love this film💖💝💘💖. الله تعالٰی اس مسجد کو آباد فرماے. Sunil shetty😂😂. Panipat the great betrayal songs. Ya farma.

Maratha the great Warrior in the world osm movie definitely blockbuster. Panipat the great betrayal meaning. In the end it'll probably be declared that the mix up didn't happen & the spams went into the right inboxes. 😂🤣. Please make a recap video on Daniel Creage's James Bond series. Pasand aya to dil me nhi to dimak me bhi nhi. #Who I Fall Movies Watch Online, Panipat Movies Official Download* TuBE PANIPAT There read more.

After watching the #Panipat Trailer, I thought it's gonna be a Disaster 👎🏻 But I was wrong, actually it's a "Decent Good Family Movie" 👍🏻Good to get a glimpse of our #History... Periodic film like this should come more often. Thanks to #AshutoshGowariker who made this epic movie & he'll be the man behind the success of the movie... he's very authentic. The film doesn't add too much masala. #Sets = beautiful Costumes by #NeetaLulla were simply fab #Warscenes 1st half was bit draggy bcz they focused mostly on romance. #SanjayDutt did an excellent job. Couldn't take my eyes of him #Arjunkapoor he did his best but its just that i m not very fond of him. I wish we had #HrithikRoshan instead of him. People have to understand that this film is about understanding our history and not abt some other entertainment. Pls Go & watch the film if u are History lover. Gowariker fan like me 📽📹🎞.

You can not even copy it.

As a pakistani, I want to ask Afghans. Why so surprised? 😅

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Panipat the great betrayal real story. Hamara great father ahmad shah abdaali. Sanju baba justifying Ahmed shah abdali Arjun kapoor justifying bhaand giri. always want to dance Sadashiv ke character mein bhi dance karna hai is chutiye ko😂😂😂😂.

 

 


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4.2/ 5stars