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Creator: Michael Cartwright
Bio: Husband. Future dachshund owner. West Medford.

Abstract=In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care / country=Mexico / Release Year=2019 / audience Score=394 votes / Genre=Crime / Luke Lorentzen.

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Midnight family watch full length hair. I thought the shed was his spaceship... 24 wins & 23 nominations. See more awards » Videos Learn more More Like This Documentary | War 1 2 3 4 5 6 7 8 9 10 7. 5 / 10 X When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run. Director: Hassan Fazili Stars: Hassan Fazili, Nargis Fazili, Zahra Fazili 7. 2 / 10 A look at the life and work of Jewish-Israeli lawyer Lea Tsemel who has represented political prisoners for nearly 50 years. Directors: Philippe Bellaiche, Rachel Leah Jones Hanan Ashrawi, Tareq Barghout, Avigdor Feldman History After becoming a mother, a filmmaker uncovers the untold history of China's one-child policy and the generations of parents and children forever shaped by this social experiment. Nanfu Wang, Jialing Zhang Zaodi Wang, Zhimei Wang 8. 5 / 10 FOR SAMA is both an intimate and epic journey into the female experience of war. Waad Al-Kateab, Edward Watts Hamza Al-Khateab, Sama Al-Khateab Drama 8 / 10 The last female bee-hunter in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood. Tamara Kotevska, Ljubomir Stefanov Hatidze Muratova, Nazife Muratova, Hussein Sam 7 / 10 A group of young Ghanaians turn to internet fraud to help them with a desperate situation. Ben Asamoah Ama, One Dollar Crime Thriller 7. 8 / 10 A cop from the provinces moves to Paris to join the Anti-Crime Brigade of Montfermeil, discovering an underworld where the tensions between the different groups mark the rhythm. Ladj Ly Damien Bonnard, Alexis Manenti, Djebril Zonga 6. 6 / 10 As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill. Chinonye Chukwu Aldis Hodge, Alfre Woodard, Richard Schiff 7. 4 / 10 As her childhood turns into motherhood, teenage troublemaker Gemma comes of age in her fading Scottish steel town. But in a place where "you either get knocked up or locked up, " innocent games can easily turn into serious crime. Ellen Fiske, Ellinor Hallin Biography 7. 9 / 10 Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre. Agnès Varda, Sandrine Bonnaire, Hervé Chandès Romance The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II. Terrence Malick August Diehl, Valerie Pachner, Maria Simon An epic investigation into countless murders in Mexico. Presented in chapters, the film unfolds methodically through unsettling testimonials, sketching a portrait of an entire country... See full summary » Edit Storyline In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Plot Summary Add Synopsis Details Release Date: 6 March 2020 (Mexico) See more » Also Known As: Midnight Family Box Office Opening Weekend USA: $3, 030, 8 December 2019 Cumulative Worldwide Gross: $51, 712 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

Midnight Family Directed by Luke Lorentzen Produced by Kellen Quinn Written by Luke Lorentzen Starring Fer Ochoa Josue Ochoa Juan Ochoa Release date 26 January 2019 (Sundance Film) Midnight Family is a 2019 crime documentary film, directed and written by Luke Lorentzen. The film is produced by Kellen Quinn under the banner of Hedgehog Films, and No Ficción. The film stars Fer Ochoa, Josue Ochoa, and Juan Ochoa. The film focuses on Ochoa family who run a private ambulance business. Plot [ edit] This section is empty. You can help by adding to it. ( January 2020) Cast [ edit] Fer Ochoa as Himself Josue Ochoa as Himself Juan Ochoa as Himself Release [ edit] Critical response [ edit] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 100% based on 52 reviews, with an average rating of 8. 06/10. The website's critical consensus reads, "As narratively urgent as it is technically well-crafted, Midnight Family offers an enthralling and disquieting glimpse of healthcare in modern Mexico". [1] Metacritic, which uses a weighted average, assigned the film a score of 82 out of 100, based on 11 critics, indicating "Universal acclaim". [2] Carlos Aguilar writing for the Los Angeles Times wrote, "Life-or-death incidents unfold before our eyes with intense urgency, yet the filmmaker finds breathing room to intimately profile a group of terribly underpaid heroes". [3] Monica Castillo of TheWrap wrote, " Midnight Family does not shy away from showing the pressures they face from all sides and the constant exhaustion in their line of work, but we also come to understand their sense of loyalty to their patients". [4] Nick Schager writing for Variety wrote, " Midnight Family illustrates that compensation is rarely in the cards here, as haggling leads to either polite apologies from those unable to pay, or harsher rejections from those simply unwilling to reimburse the paramedics for their trouble". [5] References [ edit] External links [ edit] Midnight Family on IMDb.

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This movie killed my dream of becoming a wickie. Spoiler alert: The movie is trash. Héloise looks like a mix of Saiorse Ronan and Billie Eilish. One of the things no one has talked about is how this and other divorces spiral in such acrimony that you have to pay lawyers 900/hr to get you what you want; be it a house, bank account or child. If you can't sit down with the person you married and find compromise, then you made the wrong choice in the person you married or the person you married made the wrong choice when they said yes to you. It speaks to how cavalier people are towards the contract signed when you enter a marriage. It's for life, better or worse - that's the solemn oath one takes. You better be DAMN sure this is the right person for you or you're setting yourself up for this kind of misery and expense.

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I don't care what the the money hungry cretins at the oscars say, or the self-proclaimed expert critics. Uncut Gems was an amazing movie, and probably one of Sandler's best roles in years. Not only that, he wasn't even playing a comedy. This man deserves recognition. Not only is he a very talented actor, he's actually a really nice individual off the camera, unlike a lot of snobby Hollywood today. Highly recommend this film.

Midnight Family Watch Full length. Ive seen the film. Please consider not watching these trailers and clips. they spoil some very special moments. Impossible to predict ha ha ha ha ha ha there are so many similar crap movies on. Wow looks Genuine and artistic cannot wait to see like watching a Manet Painting come to life. Midnight family watch full length 2016. Woman : i dont know what' s happening. me watching the trailer : me neither... This was very weak. The only funny one was the Arnold Schwarzenegger part when he sais shut the door. Midnight Family Watch Full lengthy. Im introvert. So easy I can handle it 💁🏻‍♂️.

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Midnight family watch full length film. Anyone else think the movie should be called No So Quiet? Since they've figured out how to kill the aliens? Idk just food for thought. Just watched this. The movie was a solid 10/10. Best movie Ive ever fuckin watched. The whole thing was very intense and the ending was very shocking. I highly recommend that everyone watches it.

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Love his not a killer. The man is adorable. Sure I will go watch this. SAVAGE. Midnight family watch full length online. Ameii😍👏👏💃Brasil. Midnight Family Watch Full lengths. My dad is Buddhism so we can eat any cow, so they have everyone eat steak. Midnight Family Watch full length. Her breaking point was she realized she didn't know who she was anymore, he made all the decisions. While she got a new job, he wanted to use that money to fund his theatre company. Video made me tear up a bit. This run was so good cant believe DC allowed Bendis to come along. Critic’s Pick In this outstanding documentary, a family of emergency medical workers struggles both to save lives and to make a living. Credit... 1091 Media Midnight Family NYT Critic's Pick Directed by Luke Lorentzen Documentary, Action, Crime, Drama 1h 21m Periodically while watching “Midnight Family” you feel as if you can’t look at the screen for another second. But you can’t look away either. That tension encapsulates the push-pull of this documentary, a haunting portrait of a family of emergency medical worker s in Mexico City. Because as you tag along on another wild nighttime ride, and yet one more life-or-death race, the family’s careening ambulance seems like an emblem both of their reality and of your own whiplashing position as a viewer. The family at its center, the Ochoas, own and operate one of the many private ambulances that serve Mexico City. The director Luke Lorentzen takes you right inside the ambulance, squeezing you in alongside the Ochoas and several others as they tend to traumatized victims and an occasional member of a patient’s family. It’s no surprise that it can be a deeply distressing fit. Nearly as alarming, though, are those instances when the Ochoas race a rival ambulance to the next accident and the documentary enters that unsettling zone where the pleasures of the chase (and good filmmaking) slam into your ethical sensibility, which is to Lorentzen’s point. Your stomach may start jumping (your thoughts too) e ven before the movie and ambulance take off. After opening with some sober scene-setting — a man washing blood off a bright yellow stretcher — Lorentzen drops in some of the documentary’s few informational details. “In Mexico City, ” reads text on a dark screen, “the government operates fewer than 45 emergency ambulances for a population of nine million. ” Much of the city’s emergency health care, the note continues, is handled by “a loose system of private ambulances. ” The Ochoas belong to this informal network, tending to hundreds of patients each year from inside their red-and-white ambulance. Serving as his own cinematographer, Lorentzen spends a lot of time in the back of that van, a space that you settle into as workers and patients enter and exit. He regularly points the camera at the windshield, giving you front-row access to the chaos; every so often, he trains it on the rear-door windows, as if looking for an escape. Another camera, mounted on the top of the dashboard, enables you to see inside the van, where Fer, the Ochoa paterfamilias, is generally found riding shotgun beside one son, Juan, a 17-year-old with a meticulous fade haircut and the wheel skills of a NASCAR racer. When the sirens blare and lights flash, Fer and Juan can make a formidable, at times grimly diverting, tag team. “Get out of my way, bicycle! ” Fer yells over the ambulance loudspeaker in an early scene, as the intensely focused Juan drives and another of Fer’s sons — the babyish-looking Josué, who’s around 10 — tries to steady himself in the rear. As Lorentzen cuts from the van’s occupants to the darkly jeweled street and back again, everyone and everything passing by is told where to go. “Keep moving, bus! ” Fer yells, before slipping into street-philosopher mode. “This is why people die! ” he says, over a lingering shot of Josué. “Because people like you don’t move! ” The juxtaposition of Josué’s face and Fer’s words are representative of Lorentzen’s method. Embracing a familiar observational approach, he doesn’t talk you through “Midnight Family” but instead lets his filmmaking choices convey his thoughts on the Ochoas and the mercenary world they inhabit. (He edited the documentary and is one of its producers. ) Lorentzen never explains how he found the family, who not only granted him seemingly free access to their ambulance, but also brought him into their home. He’s more expansive in the production notes where he says that he introduced himself after he saw Juan cleaning the van while Josué was playing with a soccer ball. “Midnight Family” can be tough to watch, but it never feels unprincipled or indulgently exploitative. Some of the most traumatic incidents have, of course, occurred before the ambulance roars up, but not all. Even when the worst happens, Lorentzen doesn’t turn the gore and tears into a spectacle, and it’s instructive that some of the most dreadful moments take place off-camera or are conveyed through the triage patter or in later conversations. He also tends to obscure the faces of the wounded and whether legally or ethically motivated, this discretion is a relief. It’s humanizing for the victims (be warned that these include children) and for the viewer. One of the enduring hurdles in visual storytelling is how to represent the suffering of others without adding to it, a difficulty that Lorentzen has clearly weighed. That’s evident in his point of view, what he shows you and doesn’t, and obvious in his empathetic portrayal of the Ochoas. They’re an appealing, affecting collection of souls, and you too want the best for them, even when you grasp their role in a system plagued by class inequities and inadequate services, kickbacks and shakedowns. Here, if it bleeds, it leads right into everyone’s pocket — the police, emergency workers, hospitals — a truism that makes this documentary feel finally, appallingly, universal. Midnight Family Not rated. In Spanish, with subtitles. Running time: 1 hour 21 minutes.

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This was actually a very good mystery. "Outstanding... Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to what’s happening. When they do, they leave you gasping. " – Manohla Dargis, New York Times Critics’ Pick “Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family—the gruff but compassionate Fer and his two underage sons, Juan and Josué—at intensely close range on these Sisyphean missions of mercy. ” – Museum of Modern Art and Film Society of Lincoln Center Included in the “10 Best Movies of Sundance 2019" "A deft mix of big-picture doc-making and intimate moments... not to mention a wild—and remarkably eye-opening—ride. ” – David Fear, Rolling Stone “This 81-minute masterpiece will change the way you look at documentaries forever; its style reads like an action movie, its themes like a socio-political drama, and, yet, it still is very much a work of non-fiction, with a camera always exactly positioned to capture a society on the brink of moral collapse. – Jordan Ruimy, The Playlist “Profound and thrilling cinema verite filmmaking. The film is impeccably crafted by Luke Lorentzen… What matters most here is Lorentzen’s intuition—he knows during many stunning moments just where to put the camera in such close quarters, letting us observe as harrowing drama and cinematic poetry unfolds… 'Midnight Family' is extremely visceral in the best way. ” – Nick Allen, Roger Included in “21 Must-See Movies” at Sundance "An intimate verite documentary... the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U. S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark. ” – Eric Kohn, Indiewire.

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