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Kelly Reichardt
Kelly Reichardt
78 Votes
Review - Out foraging dinner for a rowdy band of fur trappers, a shy cook encounters Chinese immigrant King-Lu, a kindred spirit with an enigmatic past and entrepreneurial spirit. Eager to manifest success, the two cook up plans to secure their fortunes in a territory without definitive boundaries and rules
release date - 2019
121 M
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Haz click aquí para copiar la URL Título original First Cow Año 2019 Duración 121 min. País Estados Unidos Dirección Kelly Reichardt Guion Jonathan Raymond, Kelly Reichardt (Novela: Jonathan Raymond) Música William Tyler Fotografía Christopher Blauvelt Reparto John Magaro, Toby Jones, Orion Lee, Ewen Bremner, Scott Shepherd, Gary Farmer, Lily Gladstone, Alia Shawkat, Rene Auberjonois, Jared Kasowski, Dylan Smith, Todd A. Robinson, John Keating, T. Dan Hopkins, Ted Rooney, Patrick D. Green, Clayton Nemrow, Jeb Berrier Productora Film Science / A24 / IAC Films. Distribuida por A24 Género Drama. Western | Siglo XIX Sinopsis Narra la historia de un cocinero (John Magaro) contratado para un grupo de hombres que participan en una expedición de cazadores de pieles en el territorio de Oregón en la década de 1820. También la de un misterioso inmigrante chino (Orion Lee) que huye, y de la creciente amistad entre ambos en un territorio hostil. (FILMAFFINITY) Premios 2020: Festival de Berlín: Sección oficial largometrajes a concurso Críticas Tu crítica Votaciones de almas gemelas Regístrate y podrás acceder a recomendaciones personalizadas según tus gustos de cine Votaciones de tus amigos Regístrate y podrás acceder a todas las votaciones de tus amigos, familiares, etc. Si alguna sinopsis cuenta demasiados detalles del argumento -o para corregir errores o completar datos de la ficha o fecha de estreno- puedes mandarnos un mensaje. Si no estás registrad@ puedes contactarnos vía Twitter, FB o por email a info -arroba- filmaffinity -punto- com. Los derechos de propiedad intelectual de las críticas corresponden a los correspondientes críticos y/o medios de comunicación de los que han sido extraídos. Filmaffinity no tiene relación alguna con el productor, productora o el director de la película. El copyright del poster, carátula, fotogramas, fotografías e imágenes de cada DVD, VOD, Blu-ray, tráiler y banda sonora original (BSO) pertenecen a las correspondientes productoras y/o distribuidoras.

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It was 1995 when the words “Eat Mor Chikin” first appeared on an Atlanta, Ga  billboard. Painted by a pair of rebel cows, it was the beginning of a movement that’s become an iconic advertising campaign. Fast forward 20 years and today the boisterous bovines are still at it—finding creative ways to encourage humans to eat chicken not beef. “From billboards to water towers, TV to radio, there’s no place that’s off limits for the renegade cows’ self-preservation message. ” From billboards to water towers, TV to radio, there’s no place that’s off limits for the renegade cows’ self-preservation message. They’ve been spotted hanging from the sides of buildings, made appearances at professional sporting games, and starred in annual calendars. Taking it a step further, they’ve inspired thousands of Americans to head to their local Chick-fil-A restaurants every July, clad as the famous cows to celebrate what is now Cow Appreciation Day. As part of the July 14 th celebration, we release the best of the cows. Courtesy of the The Richards Group, responsible for conceptualizing the heroic Holsteins, we take a look back at the last 20 years… 1995 -- The Cows commandeer their first billboard 1996 – The Cows air their first radio commercial 1997 – The Cows first appear on TV 1997 – The first Cow costume debuts 1998 – The first Cow calendar is created 1998 – The first Plush Cow is produced 2001 – The first Cow car is introduced 2002 – The Cows think big and create their first “Giant Wall” ad 2005 – The first Cow Appreciation Day is celebrated 2006 – Chopping Atlanta Braves Cow installed at Turner Field 2007 – Cows Inducted into Madison Avenue’s Advertising Walk of Fame 2008 – Climbing to new heights, the Cows paint their first water tower 2009 – The Cows start tweeting 2010 – The Cows sound the alarm for new spicy chicken 2011 – The Cows herd in Capitol Hill for Cow Appreciation Day (Photo credit: Stanley Leary) 2011 – The Cows herd in Texas for Cow Appreciation Day (Photo credit: Stanley Leary) 2011 – The Cows prove to be social creatures, accruing over 500, 000 Facebook fans 2013 – Cows join Instagram 2014 – The Cows get even more inventive on digital 2014 – The Cows introduce new grilled chicken 2015 -- New design for Plush Cow introduced #20YearsOfCows Tagged In: 20Th Anniversary Cow Appreciation Day Cows Eat Mor Chikin.

Opens March 6, 2020 PG-13, 2 hr 1 min Drama Tell us where you are Looking for movie tickets? Enter your location to see which movie theaters are playing First Cow near you. ENTER CITY, STATE OR ZIP CODE GO This movie releases on March 6, 2020. Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get updates on all things movies: tickets, special offers, screenings + more. First Cow Synopsis A cook joins a group of fur trappers in Oregon Territory and befriends a Chinese immigrant. Read Full Synopsis Movie Reviews Presented by Rotten Tomatoes.

Download movie first cows. Download Movie First com. This looks soooo good. Dir: Kelly Reichardt. US. 2019. 121 mins. Some filmmakers produce wide, colour-splashed canvases. Kelly Reichardt makes subtly shaded miniatures. First Cow, arriving at the New York Film Festival after its Telluride bow, is another in her carefully carved cameos of equally circumscribed, working-class lives. Although it’s unlikely to expand her appeal – and the ensemble lacks the marquee value of some of her recent casts – its quiet humanism and painstaking attention to detail are sure to appeal to the core audience which has faithfully followed her for more than a decade. Reichardt has always told small stories for a small audience, and even within those self-imposed constraints, First Cow is a minor work. Her first period piece since Meek’s Cutoff (and one of her few films not to find a part for regular collaborator Michelle Williams), Reichardt’s First Cow takes place in wild, early-19 th -century Oregon, where men trade beaver pelts for silver ingots, and the arrival of that singular, titular livestock is a remarkable event. It’s a time and a place where the future is still unwritten – and so two strangers decide to write their own by selling delicious baked goods to trappers hungry for a taste of home. It’s an unusual partnership. Cookie Figowitz (John Magaro), a quiet wanderer from Maryland, is a skilled cook but naturally shy and cautious. King Lu (Orion Lee), a Chinese immigrant on the run from a murder charge, is a born opportunist, impatient to start making the fortune he knows he deserves. Beavers weren’t the answer. But it’s possible Cookie’s cakes might be, particularly if the two men can steal enough fresh milk from that new cow – a literal cash cow – to keep expanding their business. It seems unlikely their plans will proceed unimpeded (particularly since the film starts with the present-day discovery of a shallow grave). But Reichardt isn’t interested in conventional suspense, or even constructing a complicated narrative (the script, which she wrote with novelist Jonathan Raymond, jettisons a large part of his book). Instead, Reichardt’s focus is, as usual, on the economic struggles of her rural characters. How will Cookie Figowitz and King Lu, starting with nearly nothing, build any security for themselves? What crimes and compromises will be necessary? Reichardt, however, is interested in constructing more than just an economic parable. Because while Cookie and King Lu are partners in business, they soon become partners in life, too, treating each other with gentle concern, complementing each other’s strengths and weaknesses. It’s never eroticised, Brokeback Mountain style – not even when, after first meeting a terrified and naked King Lu in the forest, Cookie invites him back to his tent. Yet there’s a sweet companionship here that’s both charming and very real. The film has other charms. Cinematographer Christopher Blauvelt, who’s shot Reichardt has last three pictures, draws dramatic distinctions between the greens and blues of the unspoiled Pacific Northwest (verdant forests, rushing rivers) and the browns and greys of man’s improvements (foul streets, crumbling shacks). And the cast is filled with lovely little surprises, character actors who not only add life to the proceedings but a reminder of what a mess of transplanted misfits the frontier was, with Toby Jones as an Englishman trying to keep Regency styles alive, and Ewen Bremner as a rough Scot desperate for a decent game of cribbage. (Best is the veteran Rene Auberjonois as a hermit who barely gets in a word, yet seems to get all the film’s laughs. ) Reichardt has always told small stories for a small audience, and even within those self-imposed constraints, First Cow is a minor work. It doesn’t have the ambitions of Certain Women, which laid out various narratives and then brought in the star power of Williams, Kristen Stewart and Laura Dern; it doesn’t build to the heart-rending climax of Wendy and Lucy. But it is still perfectly made, perfectly acted and ultimately moving – a melancholy memory in miniature, a Daguerreotype of a distant time that may be more like our own than we know. Production companies: Film Science International sales: A24, i Producers: Neil Kopp, Vincent Savino, Anish Savjani Screenplay: Kelly Reichardt, Jonathan Raymond, based on the novel by Jonathan Raymond. Editing: Kelly Reichardt Cinematography: Christopher Blauvelt Music: William Tyler Main cast: John Magaro, Orion Lee, Toby Jones, Rene Auberjonois, Ewen Bremner.

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